1) Qingyi River
青衣江
1.
Analysis on Characteristics of Qingyi River Quaternary Terrace in Ya’an Area
雅安地区青衣江流域第四纪阶地特征分析
2) Qingyijiang river basin
青衣江流域
1.
Through applying the distributed hydrological cycle simulation technology and GIS,the distributed hydrological cycle simulation model for Minjiang upriver and Qingyijiang river basin is developed in this paper in order to provide technical support for the research on the change law of basin hydrological cycle and comprehensive control of regional water resources.
将分布式水循环模拟技术和现代地理信息技术技术,应用到流域水循环模拟中,开发了岷江中上游及青衣江流域的分布式水循环模拟模型,以期为流域水循环演变规律的系统揭示和区域水资源的综合调控提供技术支撑。
3) Minjiang upriver and Qingyijiang river basin
岷江中上游及青衣江流域
4) qingyi
青衣
1.
By comparing the singing style of qingyi in Peking opera and soprano in bel canto, this paper attempts to further clarify the mechanism of voice production and its norms in Peking opera and bel canto, so as to better understand some certain concepts in the two forms of singing and promote the mutual communication and interaction.
本文通过对京剧里的青衣行当与美声唱法里的女高音声部的比较研究,企图进一步明晰京剧唱法与美声唱法这两种唱法的演唱机理与规范,以求得对两种唱法中的某些概念认识得更加清楚,促进两者之间的沟通与吸收。
5) JIANG Qing
江青
1.
Jiang Qing: from 1937 to 1949;
江青:1937年底——1949年
2.
Various Opinions Interpreting the Profound Meanings -Comments on the Researches about Mao Zedong s Letter to Jiang Qing;
众说纷纭解玄奥——毛泽东致江青的信研究评析
3.
The last work corrects the wrong eport on the creation of The Story of the Red lampe and exposes the political plot of the JIANG Qing Group and the Persecution of the authors.
前三篇遗作分别就梅兰芳关于戏曲改革要"移步不换形"的主张、李少春的表演艺术、演员的艺术天性等问题,分别在理论上阐述了自己的观点,最后一篇遗作就《红灯记》的创作纠正了某报社记者的某些失误的报道,并再一次揭发了江青一伙贪天功为己功的政治阴谋和对作者的残酷迫害。
6) bai yi du jiang
白衣渡江
1.
The story of “bai yi du jiang”was a misunderstanding to San Guo Zhi,“bai yi”meant the common people,expecially meant the common boatman here,but didn t mean the man wearing the white clothes.
吕蒙“白衣渡江”的说法是对《三国志》原文的一种误解,“白衣”指平民,此处特指普通的船夫,而不是穿白衣服的人。
补充资料:青衣
戏曲脚色行当。“正旦”的别称。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条