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1)  Four-word Poem
四言
1.
On Four-word Poem in "Wen Xuan"(Anthology)
说《文选》中的四言诗——兼论萧统与刘勰和钟嵘诗学观的异同
2)  Sichuan dialect
四川方言
1.
An analysis of the Sichuan dialect from the contaction between Ge(歌) and Hao(豪) in the rhyming system of Tongchuan(潼川) in the Song Dynasty;
从潼川诗人用韵“歌”、“豪”通押看宋代四川方言
2.
Grammaticalization of Some Modal Words in Sichuan Dialect;
四川方言中几个语气词的语法化问题
3)  Si yan za zhi
四言杂字
4)  four-character patterns
四言格
1.
The Eastern Han Dynasty through the Six Dynasties(25—589) witnessed the gradual formation of the stylistic feature of four-character patterns in Buddhist scriptures in Chinese translation.
从东汉至南北朝,汉译佛典四言格文体经历了一个逐渐定型的过程,其形成是时代骈体风尚、四言雅正观念、四言语音优势、译经者语言文化素养等多重因素共同作用的结果。
5)  four-character poems
四言诗
1.
The author traces the relations between the poems by Tao Yuanming and A Book of Songs and comes to the conclusion that Tao Yuanming inherited the tradition of the four-character poems of A Book of Songs and the relations between the two are of the source and inheritor.
文章从四言形式这一角度分析了陶渊明与《诗经》之间的关系,提出:在陶渊明以前,诗人们以《诗经》为摹本创作四言诗,往往出现两种情况——不是“太离”就是“太肖”。
6)  four-word poem
四言诗
1.
Songzan,taking four-word as its carrier,is short,fine and dapper,and similar to four-word poems in style.
颂赞以四言韵语为载体、以短小精警见长,在形式上与四言诗接近。
2.
Literators\' four-word poem imitated in The Book of Songs,and folks in Chu of directors came from the imitation of Chu\'s folks in Fighting stage,which developed respectively and never intercrossed.
这时期诗歌的体裁主要是四言诗和楚歌诗,文人的四言诗模拟《诗经》,宫廷统治者的楚歌诗源自战国时期楚地的民歌的模仿,这两种诗歌系统各自发展很少交叉。
补充资料:四言
1.四个字。多指诗句的字数。 2.指四言诗。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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