There were two important features in his abstract art:one was his behavior towards color,the other was his behavior in painting towards musicality.

He breaks loose from restraint of the rules and forms of classical poems and of excessive attention of the musical beauty of the new metrical poems,correspondingly putting forward the idea of "the third rhythm" of Chinese modern poems,which is the transformation of musicality’s different aspects and the interiorization .

The distinction of poetry determines its musicality and thus determines that poetry is an organism of language which has an identical relationship with music.

Musical Exploration in the Visual Angle of Pure Poetry --On the New Poetic Music Theory of Liang Zongdai;

It belongs to the folk music and retains its primitive form.

To be exact,his language fuzzy,jerky,vocative,symbolic,affective,and musical,as is typical of a poetic text.

Poetic language is language in the empirical musical structure, which penetrates every layer of poetry, first the musical organization of linguistic sound, realized in the form of music sound of poetry, second the life space flowing from the marvel revealed by semantics, and finally silence, a situation of Lao Zi s “silent music.