1) Fox Girl Image
狐女形象
1.
Balance Between Morality and Lust——On the Adjusting Role of Fox Girl Image in Strange Tales from a Lonely Studio
道德与色欲的平衡——论《聊斋志异》中狐女形象的调节作用
2) fox image
狐形象
1.
By comparison and contrast the fox image s implications,characters and its social significances in the two works"Note Books from Yue Wei Hut"and"Aesop Fables",we can realize the great many differences existing in the Chinese and western cultures.
通过对《阅微草堂笔记》与《伊索寓言》中狐形象的含义、狐形象的性格、狐形象体现的社会意义的对比,使我们认识到中西方文化的许多异同之处。
2.
It is connected with the development of fox image from ancient times to the present.
清代蒲松龄《聊斋志异》中的狐精、狐仙形象吸引着千千万万的读者,之所以有这样的效果与从古至今狐形象的演变关系密切;而狐形象的多样化又正反映了人性的多元化。
3) images of fox spirits
狐精形象
1.
The images of fox spirits have a long history of changing in china.
狐精形象在中国有漫长的演变历史,《广异记》在这个过程中扮演了极为重要的角色,其中的狐精形象与宗教脱离,逐渐向人的形象发展。
4) female fox
狐女
1.
Analysis of the cause of the female fox complex of Pu Songling in "Liao Zhai Zhi Yi";
《聊斋志异》中蒲松龄狐女情结原因分析
2.
Although it has been a long time since the communication between female fox and human being appeared in the literary works,the most unique tales about this theme exist in Liao Zhai Zhi Yi.
狐女与人交往的故事走进文学作品,虽然历史悠久,但《聊斋志异》中狐女与人交往的故事则是最具特色的:狐女与人交往的方式多种多样,既有直接主动的也有间接主动的,既有被动的也有偶然邂逅的;狐女与人交往的目的也不尽相同,既有为追求婚姻爱情的也有为获得友情的,既有为报恩报复的也有纯粹是为了媚态惑人和"一夜情"的。
5) female image
女性形象
1.
A reanalysis of the Neoteric implication of female images in ancient romances;
重析早期历史传奇中女性形象的近代内涵
2.
Waipo Bridge(Maternal Grandmother Bridge):The Native Land Separated Far from Shanghai——An analysis of the female image in Bi Feiyu s novel of Shanghai 1920;
外婆桥:远离上海的乡土——毕飞宇《上海往事》女性形象分析
3.
Destruction of perfection——On female image in Family;
美的毁灭——论《家》中的女性形象
6) women images
女性形象
1.
On the women images in "New Interpretations of Old Stories" ——comment on the scholars view of womenin the Wei and Jin Dynasties;
论《世说新语》中的女性形象——兼论魏晋士人的女性观
2.
By analyzing a series of women images of Shafei, Zhenzhen,Lu Ping,Du Wanxiang etc, this article deals with Ding Ling s unique insight and understanding of the lives of women from 1920s to 1970s.
通过对莎菲、贞贞、陆萍、杜晚香等一系列女性形象的分析,探讨丁玲从20世纪20年代到70年代末对女性人生的独特体认。
3.
By virtue of her plain and simplestyle,Chi Li is deeply loved by the readers,meanwhile,the women images she depicts also make strong impressions on her readers,and become people s topic.
池莉凭着其作品的通俗易懂深得读者的喜爱,而她所刻画的女性形象也在读者心中烙下印记,成为大众探讨的一部分。
补充资料：产品形象
产品形象
product image
产品形象(produet image)即产品的魅力，指产品对公众的吸引力。它的心理机制是产品的个性与公众的思想感情的密切联系。通常，产品的魅力主要取决下列因素:一是方‘便，如便于携带、存放等;二是适应性强，即用途广泛;三是质量高;四是合乎顾客的地位或身份;五是可靠性:六是满足顾客的审美需要。许多名牌产品，一般都具有上述特点，能使顾客或公众获得多重满足。 (张燕逸撰张交审)
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条