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1)  aesthetic narration
审美叙事
2)  aesthetical narratology
审美叙事学
1.
The thesis, from the point of aesthetical narratology, with the theories of aesthetics, narratology, psychology and anthropology, makes an aesthetic appreciation cultural analysis and study on animation from the related and different lays.
本论文从审美叙事学这一理论视角出发,运用美学、叙事学、心理学、人类学等多种学科理论观点,从相互关联的不同层面展开探讨,对动画片进行审美文化意义上的分析和研究。
3)  Tendency on narration and aesthetic
叙事与审美取向
4)  esthetical narration of modern world
现代世俗审美叙事
5)  narrating aesthetics on ethnic ecology
民族生态审美叙事
1.
The key to narrating aesthetics on ethnic ecology i s mixing and cooperating between metaphor on technology and that on ethnic ecology , which makes mankind flexibly get on with nature.
民族生态审美叙事的关键是科技隐喻与民族生态隐喻交合互动 ,它在正义性原则指导下可保证民族生存与文化具有可持续生存指标 ,一种吸收变革而不丧失认同性活力的能指 ,从而使人与自然及民族间的交往灵活地进行。
6)  narrative aesthetics
叙事美学
1.
But when it comes to narrative aesthetics,his films tell us the comprehension of time and life.
但是从叙事美学的角度来分析,贾樟柯的电影却又体现了一种对时间和生命的理解。
2.
Naturally,it is his duality of intellectual and peasant that determines the basic variegated emotions of his country novels giving rise to their narrative methods and aesthetic features,such as mythological features,miserable consciousness,concern with dialect and carnival in RiGuang LiuNian which constitute the narrative aesthetics of Yan s novels.
从本质上说,阎连科知识分子与农民身份的二重性决定了其乡村小说的基本情感色调是多色杂糅的,它又影响到这些小说的叙事方式和审美特征,如神话模式、苦难意识、“方言”的关注以及狂欢话语等,这些特征都在《日光流年》中有所体现,它们共同构建了阎连科小说的叙事美学。
3.
The present study attempts to explore the narrative aesthetics of Benjamin Franklin s Autobiography from the angle of a contextualized narratology.
本文尝试从叙事学的视角揭示《富兰克林自传》所蕴含的叙事美学,并向读者展示它是如何建构一个有关身份的神话的。
补充资料:审美
亦称“审美活动”。人所进行的一切创造和欣赏美的活动。是构成人对现实的审美关系,满足人的精神需要的实践、心理活动。是理智与直觉、认识与创造、功利性与非功利性的统一。
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