1) The Modern Chinese Film
现代中国电影
2) A Brief History of Chinese Film
《现代中国电影史略》
1.
Then basing on unscrambling the literature about comment of film history left over by Zheng Junli, and combining with the comment of the same period, the book A Brief History of Chinese Film written by Zheng Junli is analyzed detailed and systemic on its views, methods and characters.
本章从考察郑君里的唯物史观出发,阐述了郑君里电影史论研究涉及的范围,并以解读郑君里遗留下来的电影史论文献为基础,结合同时期电影史研究,对郑君里的史论著作《现代中国电影史略》的观念、方法和特色进行梳理。
3) the Assembly
当代中国电影
1.
On the Significance of the Assembly for Modern Chinese Movie;
论《集结号》对当代中国电影的意义
5) "Neo-generation" of Chinese Films
中国电影"新生代"
1.
New Korean Films" and "Neo-generation" of Chinese Films share the common attributes in cultural orientation and artistic appreciation despite dissimilar presentations, characterized by the ramifying trend among them between marginal writing and conversion to mainstream.
"韩国新电影"和中国电影"新生代"二者尽管外部形态迥异,但却具有相通的内在旨趣,即都呈现出边缘书写和主流皈依的分化态势。
6) "the Fifth Generation" of Chinese film arena
中国电影"第五代"
1.
The paper gives a comprehensive comparison between "Japanese New Movies" and "the Fifth Generation" of Chinese film arena which sprang up in the 1980s on the film arena with many styles and brought forth new ideas.
对崛起于 2 0世纪 80年代、崛起于电影艺术风格多样化的影坛 ,且都体现出强烈的创新和探索精神的“日本新电影”与中国电影“第五代”进行了全面的比较 ,详细地论述了二者迥然相异的叙述风格和电影形态 ,进而明确指出叙事性的主导品格与导演的适度创新是电影作品获得艺术效益和经济效益双赢的关
补充资料：现代
历史学上一般指资本主义存在和无产阶级不断取得社会主义革命胜利的时代。1917年俄国十月社会主义革命是世界现代历史的开端。中国现代历史则始于1919年五四运动。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条