From the comment about poet by Plato and Aristotle,the paper tries to find the difference between the two great masters in artistic thought.

His poetry criticism not only has the features of the age but is also resounded with individual characteristics because o.

LU Shiyong greatly apply the category of "Yun","Qu","Wei" to detailed appreciate and criticize poets and poems in his poetry criticism;by this base,he make the theoretical explanation to the three aesthetic categories,the contents mainly show: praising them as the poetry aesthetic root;probing their aesthetic characteristic;inspecting their creating and production.

Wu Si-jing reveals as a kind of spirit of poetics personality on one hand, and as the principle of idea and logic carrying out in his poetics exploration in a wide range on the other hand, which forms the central idea, logical clue and critical criterion in his construction of fundamental poetics theory and poetry criticisms.

The poetic criticism in the Chinese ancient literature essay WENXINDIAOLONG forms by itself a theoretic system.

It reflects a unique concept of poetry criticism in ancient China.

The development of the Chinese ancient poetry criticism on "mei" in poetry goes through three stages: it was roughly pregnant with and spread out before the Tang Dynasty.

The political education criticism in view of the poetry theory since the Song Dynasty perfects the connotation of the previous political education poetry criticism and,on the other ha.

The controversy on poems in the Tang and Song Dynasties is the transitional link of classical poetical criticism, it possesses distinctive characteristics itself which are expressed by the fact that poets usually infer the poems from the “doorway”, dividid them by their estheticsal principle and rigulate the Orthodox and Modification Methodology.

As a form of poetic criticism, poetic notes emerged in Song Dynasty in a narrow sense.