1) Ink space
笔墨空间
2) Brush and ink
笔墨
1.
His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.
董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.
Therefore, its "formulism" of brush and ink has been established.
中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。
3) ink
[英][ɪŋk] [美][ɪŋk]
笔墨
1.
Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;
以郑燮竹论观艺术创作中的笔墨思维
2.
First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.
现代的创作者应该在传统的基础上,勇于创新:一是以画为主,画写结合,略带泼墨;二是以笔画为依托,升华写意精神;三是在生活中吸收营养,激发灵感;四是笔墨形式与时俱进。
3.
When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.
创作者,尤其是初学者在进行山水画创作时,在笔墨的运用、构图与色彩的处理、精神的把握、题款的运用等方面会出现的如用笔平均、用墨板滞、构图布置迫塞等等弊病,如何运用相应的对策克服这些病忌,是每一位创造者都无法避之的问题。
4) writings
[英]['raɪtɪŋ] [美]['raɪtɪŋ]
笔墨
1.
This article introduces Xugu’s life, studies and discusses his writings (mainly about line),molding, composition and color etc, though his painting theme, flowers and birds painting content, artistic conception.
文章主要从论述海派画家虚谷的生平开始,通过分析绘画题材、内容、意境,深入探讨其笔墨(这里主要指线条)、造型、构图和色彩等绘画本体,从而总结其花鸟画风格。
2.
This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.
在此重点讨论气韵生动与文人画之逸格及文人画笔墨间的关系。
5) pen and ink
笔墨
1.
Brief Analysis the Modern Expression s Form of Chinese Painting s Traditional Pen and Ink;
浅析中国画传统笔墨的现代表现形式
2.
The images represented in traditional Chinese painting by means of pen and ink is,without exception,based on description and conceptualization of the real life.
中国画这种艺术形式,笔墨所表现的形象,是对现实生活的感受提炼、描写和概括,当然也包括了它的程式化。
3.
"Tour" shows what painter wants to describe art image,and pen and ink is decided by "tour".
正是在“游”这种美感心态和中国传统艺术思想的渊源下 ,中国传统绘画的笔墨才那么韵味无穷 ,那么轻松、自然、豪放。
6) painting
[英]['peɪntɪŋ] [美]['pentɪŋ]
笔墨
1.
The traditional Chinese painting has formed its style and school under the unique historical and culfural influence within the certain area.
中国画在独特的地域和历史文化背景下 ,形成了自己的风格和流派 ;在工具材料、笔墨含义、审美情趣和技法理论诸方面都有着本民族的特色。
2.
Shi Tao has been a popular person in the history of Chinese painting since 300 hundred years ago and especially in the modern times.
作品有赖于画家驾驭笔墨,作有机的组合才能成功。
补充资料：笔墨
笔墨 中国画技法和理论上的术语，有时亦作中国画技法的代词。技法上，笔指钩、勒、皴、点等笔法，墨指破、积、泼、渍、烘、染等墨法；墨的运用又分浓、淡、干、湿等。《历代名记》：“骨气形似本于立意，而归乎用笔。”“运墨而五色具，是为得意”。指出立意和笔墨的主从关系。《山水纯全集》：“笔以立其形质，墨以分其阴阳”。强调笔的主导作用，但应与墨有机结合，相互映发，才能完美地表现物象，表达意境，取得“以形写神”、“形神兼备”的艺术效果。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条