3) classical drama
古典戏剧
1.
Chinese classical drama is a kind of theatricals.
中国古典戏剧大团圆结局的模式大量地出现在宋以后的戏剧之中。
2.
The ending- expecting awareness, as a special aesthetic mentality of the Chinese people, has greatly influenced the structural features, performing patterns and content of Chinese classical drama.
结果期待意识作为一种极富民族特色的审美心理,它对中国古典戏剧的结构特征、表演程式及内容等都产生了明显影响。
3.
The joyous reunion of the classical drama is a special cultural phenomenon of the Chinese people.
中国古典戏剧结尾的大团圆,是中华民族特有的文化现象。
5) western drama
西方戏剧
1.
Identical Image,Different Culture——A Comparasion on Performance Mode of Ghost Between Chinese Opera and Western Drama;
同类形象异样情——中国戏曲与西方戏剧中的鬼魂形象表现模式之比较
2.
It is clear that he has experienced from criticizing Chinese Xiqu to praising it with reference to Western drama,which interestingly indicates the change of Chinese intellectuals attitude to traditional Chinese culture.
齐如山研究戏曲是因为对西方戏剧的兴趣 ,经历了一个始于否定而终于肯定戏曲的过程。
3.
Both Eastern and Western Dramas originated from the primitive sacrificial rites, with their common basis on primitive thoughts.
东西方戏剧最初同出于原始祭祀仪式,它们的共同基础建立在原始思维之上。
6) Indian classic drama
印度古典戏剧
1.
From the Chinese translation of the book by Lu Qian,the author of the present article has compared and contrasted the Indian classic dramas and Chinese dramas.
文章以《沙恭达罗》的中文译本——卢前先生所译的《孔雀女》作为切入点,通过对译本的分析,简要探讨了印度古典戏剧对中国戏曲的影响以及两者之间的异同。
补充资料：西方
【西方】
1、指印度，因印度在中国的西方。
2、指西方极乐世界。
1、指印度，因印度在中国的西方。
2、指西方极乐世界。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条