1) Essay-style Criticism of The Style
随笔式批评文体
2) literary criticism
批评文体
1.
This paper attempts to explore how the style of Chinese ancient literary criticism can exist in modern China by analyzing the tangible achievements of three critics of Beijing School in the 1930s and 1940s,namely Li Changzhi,Shen Congwen,and Li Jianwu.
该文以三位京派批评家(李长之、沈从文和李健吾)在20世纪三、四十年代的文学批评实绩为例,探讨中国古代文论的批评文体能否以及如何"活"在现代,"活"在当下。
2.
Based on Wu Mi s literary criticism, this essay expounds the general features in Wu Mi s writings and also probes into the formation and development of the thought in literature and art in 1920s,points out his contribution and insufficiency towards setting up new system and the combination of traditional Chinese and Western literature.
本文从吴宓二十年代文学批评实践入手，分析论述吴宓批评文体的一般特征，探讨吴宓这一时期文艺思想的形成、发展状况，指出其在尝试创立体系，追求中西融通方面的贡献与不足。
3) Style Criticism
文体批评
4) criticism style
批评文体
1.
Chinese literature theory had no criticism style at its original period.
滥觞期的中国文论没有自己的批评文体 ,其批评话语只能寄生于文化典籍的各种文本之中。
2.
Based on an analysis of the causes of the formation of Li Jianwu s prosaic literary criticism style, the paper focuses on the characteristics of its stylistic structure, stylistic language and stylistic technique of expression.
文章在分析李健吾随笔式批评文体产生原因的基础上 ,着重论述了其在文体结构、文体语言及文体表达手法的选择等几个方面的特征。
5) the criticism form
批评体式
6) Critical Stylistics
批评文体学
1.
Narratologic theory, critical stylistics and feminist stylistics are combined as complements to perfect the interpretation of the novel.
叙述学理论,批评文体学和女性文体学被结合充当了功能语言学的补充工具去完善小说文学意义的阐释。
补充资料：随笔
1.犹言随手下笔。 2.一种灵活随便的笔记或文体。 3.一种散文体裁。篇幅短小﹐表现形式灵活自由﹐可以抒情﹑叙事或评论。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条