1) Schools of aria
流派唱腔
2) word-enunciation
常派唱腔
1.
Henan opera,one of the clapper operas in China,has learned quite a lot from other operas and is characterized by its beautiful vocal charm,precise word-enunciation,and distinctive performing style,which distinguishes itself a.
河南豫剧常派唱腔属于梆子腔的一种,它以优美的唱腔,清晰的吐字咬字及汲取各派唱腔艺术之精华,形成了自己独特的演唱风格,在全国戏曲艺术中占有重要的位置。
3) aria
[英]['ɑ:riə] [美]['ɑrɪə]
唱腔
1.
Research on Mao Ailian s Aria and Performing Arts;
毛爱莲的唱腔艺术与人物形象的塑造
4) vocal music
唱腔
1.
The main factors that influence this vocal music are the rhythm,tone of the local dialect.
其唱腔音乐属于板腔体音乐体制。
2.
The paper expounds general characteristics of tanci from its gentle vocal music, alternated tempo and accompaniment not limited to one pattern, as well as the dialectical relationship of restraining and promotion between the genre of quyi and humanistic environment.
弹词是传统曲艺体裁类别之一,弹词艺术特定的历史成因、传播环境等形成了弹词独具一格的唱腔意蕴。
5) music for voices
唱腔
1.
The music for voices of the Tujia Nationality s Nuo opera is a kind of tune,which is formed on the basis of the Tujia Nationality s language tone and its folk song style,whose pattern has formed a unified type and different structures.
土家族傩戏唱腔是在土家族语言声调及其民歌风格的基础上形成的一种声腔,其形式已经形成了统一的类型和不同的结构成分。
2.
From analyzing the Music for voices, the extemportizing method, genre, some important things, which can influence the Music for voices, and development in future, this paper attempts to have a deep analysis on this local type of drame’s art features.
本文从三弦书唱腔结构特点,并从咬字吐字、呼吸共鸣、行腔表演几方面,结合现代声乐理念,分析总结了三弦书的演唱方法和技巧,呈现了它的唱腔风格,全文除序言和结语外共分为三个部分。
3.
From analysising the Music for voices,the extemportize method,genre, some importment things which can influence the Music for voices, and development in future.
本文通过研究怀梆唱腔音乐、演唱特点、流派、影响唱腔音乐的重要辅助元素及其发展前景,对这一富有地方特色的戏曲艺术进行较深入探析。
6) singing tune
唱腔
1.
She made brilliant contributions to the properity and development of the art of Huangmei Drama with her consummate performance skills,distinctive melodious singing tune,painstaking training and practising spirit of pursuit and artistic demeanour of noble character and brilliant performance.
她以精湛的表演艺术、独具特色的优美唱腔、勤学苦练的艺术追求、德艺双馨的艺术风范 ,为黄梅戏艺术的繁荣发展做出了卓越的贡献。
补充资料：正统派与非正统派
对古代和中世纪印度各派哲学体系传统的分类方法。一般相信吠陀拥有至高权威的哲学派别为正统派，怀疑或反对吠陀权威的哲学派别则为非正统派。根据摩陀婆所著《摄一切见论》，属于正统派的有前弥曼差派（见弥曼差派）、后弥曼差派(也称吠檀多派)、数论派（见数论）、胜论派（见胜论）、正理派和瑜伽派；属于非正统派的有顺世派（见顺世论）、佛教（见印度佛教哲学）和耆那教(见耆那教哲学)。所谓的非正统派，并不承认这种划分法。这种分法虽然有一定的历史根据，但是掩饰了印度哲学派别的唯心主义与唯物主义、辩证法与形而上学的斗争。在正统派的发展过程中，数论、正理论、胜论、弥曼差派常常冲破婆罗门教和印度教神学的束缚，寻求神以外的创世根据，把理性思维、逻辑论证等等放在重要的地位。例如数论认为"原初物质"是世界演变的主要原因,此外,他们还公开批判《吠陀》的错误；胜论认为，整个世界包摄在六个范畴之中，自然界是由多种原素组成的，原子是万物的始基；弥曼差派认为，人们在举行吠陀祭祀仪式时，所获得的果报不是由于神力而是由于业力的原因，从而否定了婆罗门教神的创世说。非正统派中也有着不同的世界观和道德伦理学说，内部之间也进行着剧烈的斗争。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条