1) CaoZhuan
草篆
1.
By the study of Zhao Yiguang\'s Calligraphy and Calligraphy comments,further explained Zhao Yiguang\'s calligraphy style and origin in history,and further explained Zhao Yiguang\'s esthetic ideal,solved the problem of the fuzzy understanding of“CaoZhuan”and Zhao Yiguang\'s“CaoZhuan”.
本文在广泛搜集赵宧光文献资料和书法作品图版资料的基础上,结合其家族、交游及社会背景,梳理了赵宧光与相关吴门书家的渊源关系,研究了赵宧光篆书的风格特征及历史渊源,进一步厘清了后世对赵宧光“草篆”的模糊认识,并阐释了赵宧光“草篆”的风格特征是其自觉追求的结果。
2) seal characters;seal script
篆字; 篆书
3) Xiaozhuan
小篆
1.
Sun Yirangs Verification of Inscriptions on Bones or Tortoise Shells and Xiaozhuan in Shuowen(说文);
孙诒让的甲骨文考释与《说文》小篆
2.
The Qin state unified six countries,in the original characters tradition of the Western Zhou Dynasty,on the basis of national characters of the reform,waste and eliminating the six countries allograft set Xiaozhuan,advocate Xiaozhuan so that the Chinese characters has changed dramatically,laying the text of the unique system of Chinese characters.
秦始皇统一六国后,在继承原西周文字传统的基础上,对各国文字进行了改革,废汰六国异体,正订小篆,提倡隶书,使中国文字的面貌发生了巨大的变化,奠定了汉字独特的文字体系。
3.
Later with the development of society, the form of Chinese characters kept changing, from Jiaguwen(inscriptions on bones or tortoise shells) to Jinwen(inscriptions on ancient bronze objects), and then to Xiaozhuan(an ancient style of calligraphy, adopted in the Qin Dynasty for the purpose of standardizing!the Chinese script), and their pictographic feature was disappearing gradually; when they ev.
汉字初创时的象形特征非常明显,后随着社会的发展变化,汉字字体不断改变,由甲骨文至金文至小篆,其象形特征日渐消失;汉字字体演变为隶书、楷书后,其象形特征基本消失。
4) zhuanli
篆隶
1.
He proposed "learning Zhuanli should start from Qin and Han Dynasty,leaning XingShu should start from Jin and Tang Dynasty" in accordance with the malpractice at the time.
针对当时书坛的种种流弊,他提出“书本篆隶,书本晋唐”的书学思想。
6) seal cutting
篆刻
1.
How Remarkable It Is About“ Cutting”—— a Comparison Research on the Art of China s seal cutting and that of Lettering of the Time;
怎么一个“刻”字了得——中国篆刻艺术与当代刻字艺术的比较研究
2.
The form beauty of seal cutting expresses its inner endless beauty through limited outer space, embodying in the peculiar and strong sense of crude beauty of knife cuts with the special formation, seal characters as well as lines.
篆刻艺术的形式美是利用有限的小小外在空间表现内在的无穷美,具体体现在通过空间组织和构成、篆字、线条等独特而又强烈的刀味美来体现的。
3.
The author of this thesis is going to make a detailed study on the seal cutting of Qing Dynasty.
有鉴于此,笔者本文拟对当时的篆刻艺术界进行微观研究,通过阐述和剖析篆刻艺术在清代的发展状况及其特点,藉以揭开和凸显考据学对篆刻艺术影响的全部具体细节,从而深化人们对考据学的认识和理解,推动清代文化史研究的发展。
补充资料:草篆
1.汉字书体的一种。篆貌隶骨,笔势飞举,刚劲有力。汉魏宫阙题署多用之。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条