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1)  Image Imagine
意象联想
2)  imagination and association
想象联想
3)  poetic imagination
诗意想象
1.
The poetic imagination tendered by Gaston Bachelard overcomes the duality of traditional imagination and describes imagination as a perpetual interaction between human subject to imagine and the object to be imagined.
巴什拉提出诗意想象论不仅克服了传统想象论的二元对立的不足,而且也纠正了现象学主观性的毛病,认为想象是想象的主体和想象的客体之间的不断的相互作用。
2.
The description of customs is distinguished from social criticizm and initiation, and inclines to poetic imagination.
他们的风俗叙事不从属于社会批判与启蒙,而倾心于诗意想象,构成诸如回忆之味、新奇之趣、生命之悟、超越之境一类美感形态。
4)  voluntary imagination
随意想象
5)  associative meaning
联想意义
1.
Cultural context and the associative meaning of words;
文化语境与词汇的联想意义
2.
However,because of different geography,traditions,customs and patterns of thinking of various nations,similar or different associative meanings are attached to animals and thus some animal words bear unique cultural features.
然而,由于各民族不同的地理环境、文化传统、社会习俗和思维方式,动物被赋予了或同或异的联想意义,因而其动物习语具有独特的民族文化色彩。
3.
Closely related to people s life experience,the associative meanings of a language often directly or indirectly reflect a language group s culture values,produce communicative value and add specific feelings to the words.
语言的联想意义是人们在使用语言时联想到的现实生活中的体验,它直接或间接地反映语言团体的文化观念,产生交际价值并给词汇附加特定的情感色彩。
6)  poetic association
诗意联想
补充资料:意象
中国古代美学范畴。意,指心意;象,指物象。意象即对象的感性形象与自己的心意状态融合而成的蕴于胸中的具体形象。该词原为哲学概念。南朝梁刘勰在《文心雕龙》中首次将其用于艺术创造,指出“独照之匠,窥意象而运斤”,说明构思时须将外物形象与意趣、情感融合起来,以形成审美意象。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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