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1)  the Sonata for piano and cello
钢琴与大提琴奏鸣曲
1.
In many of the great works of Beethoven,the Sonata for piano and cello which in G minor、A major and D major has been regarded as a milestone in the field of the cello.
这三首钢琴与大提琴奏鸣曲作为无标题音乐,因其没有任何的文字提示或形象暗喻,而使得对其情感内容的把握较为困难。
2)  Violin and Piano Sonata
《小提琴与钢琴奏鸣曲》
1.
The writer discussed Corigliano s work Violin and Piano Sonata on three aspects, the theme factor and its development, the structure of chords and tonalities design, rhythm features and the accents malposition.
文章从主题性因素及其贯穿变化发展、和弦结构与调性布局以及节奏特征与重音错位等三个方面分析了克里格里奥诺《小提琴与钢琴奏鸣曲》第一乐章的艺术特色。
3)  piano sonata
钢琴奏鸣曲
1.
Quiet but With the Result that Far——the performance and comprehension of Beethoven s piano sonata,op.110;
宁静而致远——贝多芬钢琴奏鸣曲作品OP·110的演奏与感悟
2.
The sentimental connotation and the performance hints of Beethoven spiano sonata in C minor;
贝多芬~#C小调钢琴奏鸣曲的情感内涵与演奏提示
3.
Both Beethoven and Schebert had special attachment to piano sonata and they had composed brilliant music.
贝多芬和舒伯特都对钢琴奏鸣曲情有独钟,他们都曾写出了辉煌的作品。
4)  piano sonatas
钢琴奏鸣曲
1.
This paper discusses the reason why his piano sonatas still have great vitality from the following three perspectives: Mozart s life experience, his work s moods and "Mozart effect".
本文从莫扎特生平经历、其钢琴奏鸣曲作品意境以及"莫扎特效应"三个角度剖析了其钢琴奏鸣曲在当代仍然具有旺盛生命力的原因,并在此基础上探讨经典音乐作品的时代可延续性。
2.
The piano sonatas of Prokofiev are considered as the masterpieces that inherit the classical piano art tradition and begin the new style of the twentieth century.
普罗科菲耶夫的钢琴奏鸣曲被认为是继承了古典钢琴艺术传统,开二十世纪风格之先河的作品。
3.
Taking thirty-two Beethoven piano sonatas as examples, this paper presents a thorough investigation on period structure.
论文以贝多芬三十二首钢琴奏鸣曲为例,对“乐段结构”进行了较为深入的研究。
5)  Piano Sonata in C-Major K.545
《C大调钢琴奏鸣曲》K545
6)  Viola sonatas
中提琴奏鸣曲
补充资料:提琴
1.弦乐器。胡琴的一种。 2.弦乐器。小提琴﹑中提琴﹑大提琴﹑低音提琴的总称。亦单指小提琴。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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