1) The Edge of Ugliness and Beauty
丑与美的边缘
2) Beauty is the opposite of ugliness.
丑与美是相对的。
3) beauty and ugliness
美与丑
1.
The principle of comparison between beauty and ugliness is the core of Yu Guo s romantic idea.
尤其作者运用对比手法塑造的人物形象体系,使美与丑、善与恶形成了十分鲜明的对比,从而突出了作品主题。
2.
The sharp contrast of beauty and ugliness in Notre- Da me de Paris has an important effect on developing the plot of a story, portraying typical characters and expressing the author feelings.
《巴黎圣母院》美与丑的强烈对照在展开故事情节、塑造人物形象、表达作者情感上都起到了十分重要的作用。
3.
This paper attempts to analyze the black female images in Toni Morrison s novels, and interprets the beauty and ugliness, good and evil, love and hatred and life and death in black people s world.
文章探析托妮·莫里森小说中的黑人女性形象,解读黑人世界的美与丑、善与恶、爱与恨、生与死,关注黑人女性反抗种族、性别、文化的歧视所经历的艰难坎坷,揭示了她们追寻自我及生存意义、追求平等幸福的两难困境及其根源。
4) ugly and beauty
丑与美
1.
It establishs its artistic stand with the mixture of the romantic feeling and realistic responsibility, it expresses its aesthetic seeking with the unity of opposite between ugly and beauty.
象征主义文学以浪漫激情与现实责任的互为纠缠确立了自己的艺术立场,以丑与美的对立统一表现了自己的审美追求。
5) the unbeautiful and the ugly
不美与丑
6) beautiful and ugly
美与丑
1.
Therefore in classical Chinese poetry there exists corresponding artistic dialectics, such as the dialectical unity of active and still, visionary and real, beautiful and ugly, firm and gertle, hidden and revealing, sparse and dense etc.
因此，在中国的古典诗词中存在着许多对立而统一的艺术辩证法，如动与静、虚与实、美与丑、刚与柔、隐与显、疏与密等等。
补充资料：金刚丑女
【金刚丑女】
（人名）佛在世时，波斯匿王夫人摩利生一女，安波阇罗Vajra，此云金刚。极丑恶，肌体粗涩，犹如驼皮，头发粗强，如马尾。至嫁期，王求豪姓贫士嫁之，举女婿为大臣。女夫常使其妻闭居深宫，自开闭其户，使出入人不见妻面貌。丑女深悔责自罪，向佛至诚忏悔。佛忽现前光照其身，化丑女为殊颜，容色微妙如天色。见贤愚经二（波斯匿王女金刚缘品），经律异相三十四。
（人名）佛在世时，波斯匿王夫人摩利生一女，安波阇罗Vajra，此云金刚。极丑恶，肌体粗涩，犹如驼皮，头发粗强，如马尾。至嫁期，王求豪姓贫士嫁之，举女婿为大臣。女夫常使其妻闭居深宫，自开闭其户，使出入人不见妻面貌。丑女深悔责自罪，向佛至诚忏悔。佛忽现前光照其身，化丑女为殊颜，容色微妙如天色。见贤愚经二（波斯匿王女金刚缘品），经律异相三十四。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条