1) Research on the School of Zheng Fu's Li Calligraphy
郑簠隶书流派钩稽
2) Zheng Fu
郑簠
4) Lishu
隶书
1.
Lishu and Fenshu as Two Different Font Styles:A Reflection on the Concept of Lishu;
隶书、分书实乃两种不同的字体——关于隶书命名的思考
2.
People has not paying attention to Song dynasty s lishu , historians of calligraphy have not mostly commented cfc it .
宋代隶书向不为后人所重,述书史者多略而不谈。
3.
The literati pay great attention on the reality, study history and have a new understanding of the Han lishu, They open a new era in writing and creativity of Lishu through pursuing the atmosphere of the ancient calligraphy and more realistic and jumping dispatched notice study covers.
作为中国文人士大夫借以抒情达意最常见的形式之一——书法艺术,在这个特殊的历史时期有其显著的特征:隶书得以复兴。
5) official script
隶书
1.
This paper studies the importance of learning seal script and official script.
本文对历史上众多的书法名家的书论进行了梳理、分析,结合自己练习书法的体会、见闻以及思考,从历史和书法本体的角度简要的论证了学习篆书和隶书对于习书之人的重要作用。
2.
As regards the development of the Chinese character script,many may naturally think that it develops from oracle bone inscriptions to bronze inscriptions,seal characters,official script,cursive script,regular script and running script.
谈到汉字形体的发展阶段,很多人自然就认为是按甲骨文、金文、篆书、隶书、草书、楷书、行书的顺序发展。
3.
However,studying Chinese calligraphy should start with the official script is put forward,and the reasons is expounded from the following five different aspects:official script is relatively easy to study;the construction of official script is typical;and the obviously studying achievements are beneficial to improving one s interest and enforcing one s confidence, etc.
提出了初学书法应从隶书开始的观点 ,并从 5个方面——隶书用笔相对楷书易学 ,隶书呈扁平结体和字距宽 ,行距窄的章法非常典型 ,隶书用笔中的一波三折对学习书法十分重要 ,学习隶书进退自如 ,习隶易见效有利于提高学习兴趣增强自信心——进行了较深入的论述 ;同时 ,结合作者多年从事书法教学的实践 ,提出隶书学习“先学笔划、次讲结构、再临碑帖”的教学安
6) verification of historical documents
文献钩稽
补充资料:郑簠
| 郑簠(1622~1693) 中国清代书法家。字汝器,号谷。上元(今江苏南京) 人。以行医为业,雅好文艺,善收藏碑刻,尤喜汉碑。擅隶 书,初师宋比玉,后改学汉碑,对《曹全碑》用功尤深。以行草书笔意,写《曹全碑》的体势,其书遒媚飘逸,开清代书法崇尚碑学之法门。 |
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