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1)  On "the Voice of Zhengshi"
"正始之音"论
2)  the Voice of Zhengshi
正始之音
1.
Analyzing the Meanings of "the Voice of Zhengshi":a Reply to Mu Kehong;
关于“正始之音”含义等问题的辨析——兼答穆克宏先生
2.
About my comprehension of "the voice of Zhengshi",and the meaning of "the voice of Zhengshi" in CHEN Zi-ang s "the preface or the chapter slim bamboo" is a phrase mean "poem of classic elegance",and CAO Pi s leading figures of the literary circles in the Jian an period,I still insist my original viewpoint,and do detailed argument.
作者细读了丁放教授《关于"正始之音"含义等问题的辨析——兼答穆克宏先生》一文后,有些想法,写出来,供参考。
3)  "Zheng Shi Zhi Yin" Discriminated
"正始之音"辨
4)  Zhengshi
正始
1.
From detaching himself from reality to going beyond oneself: the poet s emotion of relieving suffering world ebbed step from Huangchu to Zhengshi times;
从超脱到超越:建安激情的退潮——论黄初到正始的诗风嬗变
2.
Compare the Image of Jianan and Zhengshi s Poem;
建安与正始诗歌意象之比较研究
3.
Jianan and Zhengshi Writer s Officials as a Class Mindset and Their Poem Text;
建安与正始文人不同仕宦心态及其诗文
5)  On Musical Beauty of Traditional Chinese Painting
论中国画之音乐美
6)  Characteristics of musical language
论音乐语言之特性
补充资料:正始之音
1.指魏晋玄谈风气。出现于三国魏正始年间。当时以何晏﹑王弼为首,以老庄思想糅合儒家经义,谈玄析理,放达不羁;名士风流,盛于洛下,世称"正始之音"。 2.指纯正的乐声。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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