1) The Tradition and Modern of Clan
宗族的传统与现代
2) modern consciousness and the tradition of the nation
现代意识与民族传统
3) traditional clan
传统宗族
1.
social capital character of traditional clan,including social capital credit mechanism,criterion mechanism and network mechanism;contemporary clan featuring the characteristics of social capitals is booming on the basis of traditional clan,when modernity of modern society faces plight and social phenomenon of "path dependence" appears.
宗族复兴现已是不争的事实,运用社会资本理论对宗族复兴的作用机理进行全面透视可以得出:传统宗族具有社会组织功能与特征的品质即传统宗族的社会资本特性,其内含传统宗族的社会资本信任机制、规范机制和网络机制;当代宗族正是在当代社会现代性的发展面临困境的社会背景下,基于传统宗族的社会资本特性,出现了"路径依赖"的社会现象而勃兴的;当代宗族是在农村现代化进程中获得重生的传统,不可避免的带有传统宗族的某些性质,同时也不可避免的要受到农村现代化大潮的涤荡与洗礼而发生异质性的变化,从而带有某些现代性的气息;因此,复兴的当代宗族是一种传统嵌入现代的社会组织。
4) tradition and modern
传统与现代
1.
Prospect the future development of China s modern design from tradition and modern,multiculture and multi-discipline and advance the "integrating innovation" in the new era of global economy,culture and ideas.
从传统与现代、多元文化、多学科几个角度的融合创新展望中国现代设计的未来。
2.
Relevent Documents, Concerning the studies of the rural grassroots power cells in the tranforming society of China, are mainly based on the three space structures of “top-down and exterior-interior” “plane evolvement” and “down to top and interior-exterior,” and the three theories of “construction of state power”, “market transform-power reorganization” and “tradition and modern”.
对中国转型社会下农村基层政权组织的研究,相关文献主要立足于“从上到下和从外到内”、“平面推移”、“从下到上和从内到外”三个时空结构视点,分别以“国家政权建设”、“市场转型———权力整合”、“传统与现代”三个理论视角展开探讨。
3.
Tradition and modernism have been a conple of nodes,that could not be comperhended easily.
传统与现代之间历来就是一对难以了解的结。
6) Tradition and modernity
传统与现代
1.
Integration of tradition and modernity,nationalism and internationalism:The Analysis of musical elements characteristic of Kodály Zoltán's Missa Brevis
传统与现代、民族与国际的多元融合——柯达伊·佐尔坦《小弥撒曲》音乐要素特征分析
2.
The first part of the paper discusses the cultural connotation of “characteristic Beijing novels” in 1980s, namely, what consisting factors in the novels represented the differences of Beijing and the interior dilemma of this writing method, which is built upon the frame of tradition and modernity.
论文第一部分讨论 80年代“京味小说”的“文化”内涵 ,即北京文化的差异性表现为作品的何种构成因素 ,以及这种建立在传统与现代框架中的书写方式的内在矛盾。
3.
This article focuses on Wang Zengqi s perception of fictions, especially on his later (1980s) understanding of the relationship between tradition and modernity.
本文从分析《聊斋新义》系列小说的内容入手 ,结合汪曾祺本人的创作谈 ,讨论汪曾祺 2 0世纪 80年代的小说观念 ,尤其是他对传统与现代的关系问题的理解 ,以及这些理解对其创作产生的影响。
补充资料:宗族
1.谓同宗同族之人。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条