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1)  the riches of Oriental art
东方艺术的丰富
2)  Eastern art
东方艺术
1.
But he didn t preceed from the interest of Eastern art itself,he started from the integrity which he studied:(1)looking after himself in the artistic way;(2)using religious the way to display humanity s idea coures;(3)using the philosophic way to summarize the art.
当印度文化在世界上传播以后,黑格尔受到启发进而谈到东方艺术的象征性,但他不是出于对东方艺术本身感兴趣,而是出于他研究的完整性:①用艺术的方式观照自己,②用宗教的方式表现人类的心路历程,③用哲学的方式对艺术概括总结。
2.
Hegel thinks the grotesque of eastern art mainly ha s three patterns:mixing natural elements with human elements irreasonablely;displ aying an object excessively and distortedly;duplicating extremely or increasin g limitlessly an element or function of an object abnormally.
黑格尔认为 ,东方艺术的怪诞 ,主要有三种表现形态 :将自然的成份与人类的成份不合理地混合在一起 ;极端和歪曲 ,过分与扭曲地表现对象 ;反自然地将事物的某一成份或作用予以极端重复或无限增多。
3)  Oriental Art
东方艺术
1.
On Hegel s Misinterpretations of Oriental Art;
论黑格尔对东方艺术的误读
4)  generous [英]['dʒenərəs]  [美]['dʒɛnərəs]
大方的,丰富的
5)  art in East and West
东西方艺术
1.
Establishing the status of the traditional Chinese culture,deeply studying and comprehending the essential characteristics of the art in East and West,as we 11 as estab I ish ing an aesthetic ideology which is according with our national aesthetic psychology,is the basic premise on which the Chinese oil painting can get further developments.
确立中国传统文化地位,深入研究与了解东西方艺术的本质特性建立具有民族审美心理的美学思想体系,是中国油画得以进一步发展的根本前提。
6)  human of variety
丰富的人
补充资料:东方
①东①:~红,太阳升。②(Dōngfāng)指亚洲(习惯上也包括埃及)。
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