1) Ni Zan Jingjixuan Shi Juan
倪瓒《静寄轩诗》卷
2) Ni Zan
倪瓒
1.
Comparing Jian Jiang and Ni Zan’s Differe nt Ways in Learning from the Tradition;
渐江与倪瓒取法传统的比较研究
2.
A Degage and Natural Writing Brush,New and Graceful Calligraphy——Ni Zan s calligraphy and landscape;
逸笔草草——倪瓒书法与其山水画
3.
"Carefree pen" "carefree energy of life" "carefree style" ——the limited view of the inner meaning connection in the painting of NI Zan;
“逸笔”“逸气”“逸格”——蠡测倪瓒绘画中“逸”的内蕴关联
3) Nizan
倪瓒
1.
On the Change of Nizan′s Mental State;
倪瓒逸民遗民心态变化论
2.
On NiZan Being More Famous for His Poems than His Paintings;
论倪瓒的当时诗名大于画名
3.
On the Beauty of Artistic Conception of Wangmeng and Nizan s Landscape Patinting;
论王蒙、倪瓒山水画的意境美
4) About pictorial poem by Nizan
浅谈倪瓒的题画诗
5) NiZan's painting style
倪瓒画风
6) Ni Zɑn
倪瓒(1301～1374)
补充资料：倪瓒《静寄轩诗》卷
中国元代书画家倪瓒书法代表作品之一。倪瓒(1301～1374) 字元镇，号幼霞，别号云林子、云林散人。无锡(今江苏无锡)人。平生好学，攻词翰，不入仕途。此卷为纸本，楷书。纵 62.9厘米，横 23.3厘米。原为挂轴形式，后改装成卷。内容系赞并诗邾伯盛氏小像。书法入笔存锋， 行笔雀跃取势， 劲健遒逸，有隶书遗意。本幅上方及赞前有张绅书小篆"静寄轩"、"静寄轩诗文"各一行。卷后有杨守敬题跋。《石渠宝笈·三篇》、《麓云楼书画记》著录。现藏故宫博物院。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
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