1)  all-knowing
全知的
2)  omniscient
全知的
3)  complete point of view
全知
1.
The complete point of view is the narration mode that has been used for the most times and perfectly developed up to now.
一部小说叙述视角的载体基本可以分成两大类:全知视角和限知视角。
4)  omnipotence
全知
5)  Safety knowledge
安全知识
6)  every angle of view
全知视角
1.
The common narrative angles of view like every angle of view,fixed limited angle of view,and transformative limited angle of view and pure objective angle of view are in detail dwelled upon by citing so.
本文着重从叙事学角度探讨新闻话语选择叙事视角的艺术,结合新闻报道实例分析了新闻话语中常见的全知视角、固定式限知视角、转换式限知视角和纯客观视角等四种类型的叙事视角。
7)  logical omniscience
逻辑全知
1.
The present paper deals with the logical omniscience problem in epistemic logic and the methods to resolve it and presents a kind of epistemic logic called EL, which can avoid the logical omniscience, and gives its semantic rules and its axioms.
分析认知逻辑中的逻辑全知问题及其解决方法, 提出一种可以避免逻辑全知的认知逻辑 E L, 并给出其语义和公理系
8)  omniscience and omnipotence
全知全能
1.
Following the traditional depicting means known as omniscience and omnipotence.
它沿用了全知全能的传统手法刻画人物内心世界,直接剖露人物心灵;它通过人物的言语和行动,从细微处来观察人物内心的微妙变化;它摆脱前代忽视人物内心世界发掘的缺陷,自觉地为作品中的人物内心世界刻画花费笔墨。
9)  omniscient narration
全知叙述
1.
As a traditional narrative mode, omniscient narration is characterized with its great freedom in narrative techniques.
全知叙述是一种传统的叙述模式,其特点是在叙事手法上享有极大的自由度。
10)  omniscient narration
全知叙事
1.
The thesis discusses the particular angle of view of omniscient narration- which is an important feature of his novels.
所不同的是,在他笔下,死亡成为一个功能丰富而强大的叙事视角,而且是一种全知叙事视角。
补充资料:全知视角

全知视角是在小说创作常用的叙述形式。一般以第三人称为主。

全知视角即叙述者处于全知全能的地位,作品中的人物、故事、场景等无不处于其主宰之下,调度之中。

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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