1) art as experience
艺术即经验
2) artistic experience
艺术经验
1.
The author of this paper summarizes,from the angles of national culture and visual transmission,the artistic experience in traditional Chinese paintings,which includes form experience,aesthetic experience and thinking experience.
从民族文化、视觉传达的角度归纳出国画艺术经验主要体现为形式经验、审美经验和思维经验,并尝试寻求国画和平面设计的相同或相似处作为切入点,对其进行传承和化用,为创建别开生面的民族平面设计开辟道路。
2.
It is pointed out in this paper that Mao Zedong and his poems and Ci bridge the gap between the old and the young,that Mao′s poems are an example of closeness to life, and provide colorful and lively artistic experiences in the aspect of artistic creating law and that Mao Zedong made an experiment in new poetry nationalization and popularization.
本文从四个方面进行了论述:在新诗与传统的关系上,毛泽东及其诗词,为连接新、旧诗体"断层"架起了巨大桥梁;在新诗与群众的关系上,毛诗为新诗贴近生活、贴近群众树立了光辉榜样;在新诗创作艺术规律上,毛诗为新诗的繁荣发展提供了丰富、鲜活的艺术经验;在新诗的发展道路上,毛诗为新诗的民族化、大众化做出了可贵的实验。
3) art experience
艺术经验
1.
The art experience can t be obtained in a static environment, and it exists in a dynamic process by itself.
艺术经验不可能在一个静态环境中获得,而其自身也处于一个动态的过程之中。
4) Art and Experience
艺术与经验
5) immediate experience
立即经验
6) art as circumvention
艺术即规避
补充资料：即空即假即中
【即空即假即中】
（术语）天台所立之三观也。(参见：三观)
（术语）天台所立之三观也。(参见：三观)
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条