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1)  Poem ontology
诗歌本体思想
2)  poetic ideas
诗歌思想
1.
Compared with the middle years of the Qing dynasty,the poetic ideas and the spirit guiding the the poetic creation in this period were characterized with a weakened sense of sect and an even further weakened dispute about whether to carry on the poetic tradition of the Tang or Song dynasties.
和清代中前期相比 ,这一时期的诗歌思想与创作精神突出地表现出几个特点 :分门别派的观念 ,特别是祖唐祧宋的争论趋于淡化 ;尊重个人情性日益成为广为接受和重视的创作原则 ;在此基础上 ,不甘比附而渴望自树风格、自创一家的理论意识得到进一步强化。
3)  poetry's noumenon
诗学本体思想
4)  poetry itself
诗歌本体
1.
Since its emergence, China s new poetic criticism had contained two fundamental contradictions: one between modern Western poetics and traditional Chinese poetics, and the other between enlightenment for national salvation and poetry itself.
中国现代新诗理论批评从诞生起 ,自始至终存在着两对最基本的矛盾 :一是西方现代诗学与中国传统诗学的矛盾 ,二是坚持启蒙救亡与坚持诗歌本体的矛盾。
5)  themes and thoughts in their poetry
诗歌题材和思想
6)  thinking on poetry writing
诗歌创作思想
补充资料:人民军队思想(见毛泽东军事思想)


人民军队思想(见毛泽东军事思想)
people's army, thought of

  renmin iundui sixiQng人民军队思想(pe叩le’s~y,thought(毛泽东关于建设一支由无产阶级政党领的、以马克思列宁主义作指导的新型人民队问题的理性认识,是毛泽东军事思想的要组成部分。见毛泽东军事思想。、,声.2﹃了‘j
  
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