1) painters perspectives
绘画视角
3) The Soft and Hard Degree of Visualization in Drawings
绘画视觉软硬度
4) drawing
[英]['drɔ:ɪŋ] [美]['drɔ·ɪŋ]
绘画
1.
Comment on culture origin and the difference being hit by the west drawing form;
论文化根源与中西方绘画形式的差异性
2.
Simply analyse painting drawing language at present in china;
当代我国油画绘画语言浅析
5) painting
[英]['peɪntɪŋ] [美]['pentɪŋ]
绘画
1.
Thinking from examination of ancient Chinese painting to discovering of NO——for medicine scientific researching idea;
从中国古代绘画考试想到一氧化氮(NO)的发现——对医学科研思路的认识
2.
Sheer Spiritual Creation——Study on Le Corbusier s Architecture and Painting together with Sculpture;
精神的纯创造——勒·柯布西耶的建筑与绘画和雕塑探讨
6) paintings
[英]['peintiŋ] [美]['pentɪŋ]
绘画
1.
Calligraphy and paintings,originating from ancient China,have kept vigorous life all the time.
书法与绘画是中国古代艺术门类中两种极为重要的艺术形式,其强劲的生命力与影响力延续至今。
2.
There are colours of phenomenology in Paul Saishang s paintings,surpassing the phenomenal painters.
他侧重面和物的实际形状,想还原他所见之物,重要的是塞尚绘画思想的根基是一种统觉,一种在整体上对物体次序在画面上的安排。
3.
Although poems, calligraphy, and paintings have different artistic manifestations, they are all carriers of the authors’ inner feelings.
虽然诗词、书法和绘画的艺术表现形式不同,但都是作者抒发内心情感的载体。
补充资料：全知视角
全知视角是在小说创作常用的叙述形式。一般以第三人称为主。
全知视角即叙述者处于全知全能的地位，作品中的人物、故事、场景等无不处于其主宰之下，调度之中。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条