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1)  diplomatic trend of thought
外交思潮
2)  diplomatic policy thoughts
外交政策思潮
3)  Diplomatic Ideology
外交思想
1.
Deng Xiao-ping s liberalism diplomatic ideology;
邓小平的自由主义外交思想
2.
The diplomacy of China will undoubtedly have a brighter future if DENG Xiao ping s diplomatic ideology is further implemented.
因此 ,继续深入贯彻这一外交思想 ,中国外交无疑会有一个更加辉煌灿烂的明
4)  diplomatic thought
外交思想
1.
On the Innovation of Deng Xiaoping s Diplomatic Thought;
论邓小平外交思想的创新
2.
An Analysis of the Relationship Between Guo Songtao and Zuo Zongtang——Analysis of their diplomatic thought;
略论郭嵩焘和左宗棠的关系——兼论二者外交思想之异同
3.
Analysis on the diplomatic thought of the Communist Party of China on American;
浅析中国共产党三代领导集体对美外交思想
5)  diplomatic thoughts
外交思想
1.
It showed that his diplomatic thoughts were comprehensive and rigorous.
从左宗棠的外交思想与实践中可以看出,左宗棠的外交思想具有坚决维护国家主权、在自强为本的基础上学习西方先进技术的特点。
2.
Zhang Wentian had been worked in the field of diplomacy for ten years,and had formed his own diplomatic thoughts gradually in the practical work.
张闻天同志在外交领域工作了近十个春秋,在实践工作中逐步形成了自己的外交思想。
6)  diplomatic thinking
外交思想
1.
Mao Zedong′s diplomatic thinking is endowed with rich traditions and cultural factors,outstanding performance in an independent national spirit distillation,peace thinking practice,the firm stand of anti-hegemonism.
毛泽东外交思想蕴涵着丰富的传统文化因素,突出的表现在独立自主民族精神的升华,“和为贵”思想的实践、反霸的坚定立场和不称霸的庄严承诺。
2.
The paper analyses theoretical contribution of Deng Xiaoping s diplomatic thinking, which contributes to the cognition and handling of international relation and the handling of foreign related work.
本文主要析邓小平外交思想的理论贡献。
3.
The sovereignty principle on the basis of sovereignty independence,immunity,noninterference in each country is the core of Mexico s traditional diplomatic thinking,it s the product of Mexico s misery experience,and is the supreme achievement of the Mexico s Revolution.
以主权独立、不干涉、各国主权平等为基础的主权原则是墨西哥传统外交思想的核心 ,它是墨西哥国家苦难经历的产物 ,是墨西哥革命在外交思想上的最高成果。
补充资料:《世界电影美学思潮史纲》
      中国电影理论专著。罗慧生著。山西人民出版社1987年出版。电影美学思潮史是电影史的一个新分支。本书作了探索性的研究尝试。著者指出,所谓美学思潮,是指那些有过广泛国际影响并在电影艺术发展中代表一定阶段的电影美学思想,而不是指一般的电影流派。以此为论点,本书较系统地评述了各种电影美学思潮盛衰更替的历史。
  

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