1) the festival of "Sanyuesan"
“三月三”
1.
Based on such hard work, it select "Shangsi" Festival of ancient Central Plains and the festival of "Sanyuesan" of the minority nationalities as the comparative objects of study.
本文在文献资料和田野调查基础上,以上巳节和少数民族“三月三”为比较研究的对象,主要从原始信仰的角度,从习俗解读入手,综合运用功能分析、文本分析和比较研究的方法,并结合训诂学、人类学、古代文学的相关知识,对二者的本质意义和习俗信仰功能进行探讨,认识民俗节日背后深层的信仰观念和丰富文化内涵。
2) March 3rd Festival
三月三
1.
Cultural Investigation of March 3rd Festival in Xinye Village;
新叶村三月三节日的文化考察
3) Li_Miao's 3rd of lunar March festival
黎苗“三月三”
4) San Yue San Ri Hua Lin Yuan Ma She Fu
《三月三日华林园马射赋》
1.
Existing standpoints are different on these two articles written by Yu Xin,"San Yue San Ri Hua Lin Yuan Ma She Fu" and "Da Zhao Wang Qi".
对学术界关于庾信《三月三日华林园马射赋》、《答赵王启》两篇文章作年的几种说法进行了全面的分析,并根据文章的具体内容,对照《周书》的有关记载,认为《三月三日华林园马射赋》作于563年(周武帝保定三年),《答赵王启》作于577年(周武帝建德六年)正月。
5) three
三
1.
This paper has observed the significance of Laozi s methodology through the dynamic process of east and west thinking development,and proposed that the relationship between Tao,one,two and three is circularly progressive,which can be divided into three levels, the separation of the origin,the separation of philosophy and the separation of aesthetics.
从中、西方思想发展的动态过程考察老子思想的方法论意义,认为:道与一、二、三的关系是一种循环递进的关系,对这种循环递进的区分分为三个层次:初级的区分是本源的区分,次级的区分是哲学的区分,深层次的区分是美学的区分。
2.
The Japanese have long favoured odd numbers and especially like to use "three" to describe things.
日本民族钟情于奇数,尤其喜欢利用奇数“三”表达种种事物,“三”在语言运用中产生的社会文化伴随意义值得研究。
3.
This article discusses the origin and features of the number “three”.
讨论数词“三”的产生及其特点。
6) three
“三”
1.
Comparison and analysis of Ihe word number "three" are made about Ihe same implications and characteristics among the cultures of various nationalities in the East and the West.
比较分析数目词“三”在东西方各民族文化中的共同涵义及特点。
参考词条
补充资料：三月三日诗
【诗文】：
迟迟暮春日。天气柔且嘉。
元吉隆初巳。濯秽游黄河。
【注释】：
【出处】：
迟迟暮春日。天气柔且嘉。
元吉隆初巳。濯秽游黄河。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。