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1)  folk-pop singing
民通唱法
2)  Folk singing
民族唱法
1.
By analyzing the characteristics of bel canto and folk singing,the article probes into the commonality and the differences between the two ways of singing in vocal music education,teaching students how to handle singing styles in a flexible way.
通过分析美声唱法和民族唱法的特征,探讨了两种唱法的共性和差异性,教会学生灵活变通地处理歌曲的演唱方法。
2.
Based on the current situation andtrend, this article applies methods such as Historical-Descriptive,culture perspective and theoretical analysis to the research of singing skills of bel canto and the folk singing in order to analyze the art characteristics and the real possibility of fusion between them.
二十一世纪的文化是兼容并蓄、融合发展的文化,二十一世纪的声乐艺术亦如此,正是基于这一现状和趋势,本文旨在运用历史描述、文化比较和理论分析等方法,通过对美声唱法和民族唱法歌唱技巧的研究,分析两种唱法的艺术特性和两者融通的现实可能性,同时结合一些成功的实例试图给出民族唱法美声化和美声唱法民族化的可能途径。
3)  National Singing
民族唱法
1.
The Cultural Root of the "National Singing" and "Original Ecological Singing";
“民族唱法”与“原生态唱法”的文化根源
2.
This paper analyses the origin and characteristics of bel canto and national singing,and point out their similarties and differences.
本文就我国习惯性划分的三种唱法中的美声、民族两种唱法从产生渊源、发声特点进行阐述 ,并着重就其异同进行比较 ,就我国现今美声化的民族唱法及民族化的美声唱法提出了见解。
3.
"Bel Canto", "national singing" and "pop singing", "three ways of singing" for short, these three ways of singing are adopted since 1980s so as to unify the evaluation standard in vocal singing match in our music field.
“美声唱法”、“民族唱法”、“通俗唱法”是20世纪80年代以来我国音乐界为了统一声乐比赛时的评判标准而采用的一种演唱分类方法,简称“三种唱法”。
4)  Folk song singing technique
民歌唱法
5)  national vocalism
民族唱法
1.
This essay puts a query to the terminology "national vocalism",insisting on the two directions in which folk music of our country should develop:folk vocalism of the Chinese nation and the Chinese vocalism.
本文对“民族唱法”提出质疑 ,认为我国的民族声乐应向两个方向发展 :一是向中国民族民间唱法方向发展 ;一是向中国唱法方向发展。
6)  national singing style
民族唱法
1.
Art forms of the national singing style with beautiful operatic tunes include three aspects:1.
民族唱法声腔美最基本的艺术构成包括三个方面:一、“字正腔圆”的歌唱语言;二、灵活多变的发声与共鸣;三、声情并茂的二度创作。
补充资料:民膏民脂
1.比喻人民用血汗创造的财富。脂﹑膏﹐油脂。
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