2) ideological discourse
意识形态话语
1.
The transmission of ideological discourse through movies cannot be regarded merely as an ideological task which is to be carried out by rigid and simplified teaching; it should be infiltrated into the movie s narrative techniques.
电影意识形态话语的传播,不能视为意识形态任务而进行简单生硬的说教,而应渗透在影片的整个叙事机制中。
2.
In the light of the Marxist ideology theory, literary translation is a cross-cultural communication manipulated by the ideological discourses.
依据西方马克思主义意识形态理论,文学翻译不能简单地理解为一种纯粹语言行为而是一个为意识形态话语操控的跨文化交际过程。
3.
In order to achieve the above-mentioned ideological discourse, the left-wing film has adopted a series of words building strategy: a strategy of direct exposure to promote awareness of class struggle and national liberation; by exploring the fate of women to achieve critical social or ideological purpose of discipline; to film a song to convey political ideas.
为了实现其意识形态话语,左翼电影采取了一系列的话语建构策略:采用暴露性的策略直接宣扬阶级意识与民族解放斗争;通过探索女性命运来达到社会批判或者意识形态规劝的目的;以电影歌曲来传达政治观念。
3) mainstream ideology
主流意识形态
1.
Self-evidence of mainstream ideology——analysis of Dingling s transformation in her later-period creation liberated area novels;
主流意识形态的凸出与彰显——析丁玲在后期解放区小说创作的转型
2.
Impact of Consumptivism on China s Mainstream Ideology;
论消费主义对我国主流意识形态的影响与对策
3.
Comparison and Research of Mainstream Ideology Education of China and U.S.A.;
中美主流意识形态教育比较研究
4) dominant ideology
主流意识形态
1.
It goes as followes :the excellect intellectuals,popular readers and the dominant ideology.
正文分四章,前三章分别阐述《白鹿原》自问世以来在文学批评界、大众读者界和主流意识形态界的接受情况并分析出现这些情况的原因。
5) the main aspect of the dominators ideology
意识形态主流
6) conscious discourse
意识流话语
补充资料:德意志意识形态
马克思、恩格斯作于1845-1846年。第一次系统阐述了历史唯物主义的基本原理,如社会存在决定社会意识、生产方式在社会生活中起决定作用、生产关系必须适合生产力的发展等,标志着马克思主义哲学的成熟。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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