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1)  last character frequency
尾字字频
1.
The major disagreement between these models focused on the issue of how lexical information is accessed: decomposed or whole? In our study, we change the word frequency and initial and last character frequency to examine the representation model of Chinese two-morpheme w.
在我们的研究中,将词频、首字字频和尾字字频分别分成高低两个水平,进行不同的组合,来考察中文双字词在心理词典中的储存方式。
2)  character ending
字尾
1.
A singer cannot practise voicing character head,character center and character ending only,she should also include the characters phonetic practicing in her schedule.
字头、字腹、字尾三者的发声应与语音两方面同时训练,不可忽视任何一方。
3)  initial character frequency
首字字频
4)  word frequency
字频
1.
The algorithm preprocesses the pattern by using word frequency and the already matched pattern prefix and suffix information.
该算法利用字频和已成功匹配的前、后缀信息对模式串进行预处理 。
2.
The author suggested that in Chinese character experimental sampling the character strokes should be in range of 6~13 strokes,and the word frequency of 1.
9次/ 百万字次作为低、高字频实验汉字的字频取样范围,认为成字部件在上、下、左、右4 个位置上的出现频率是整字部件识别研究中选择检测部件时的匹配因素之一。
3.
Objective To investigate the influence of word frequency,spatial frequency,character strokes and myopia status in identifying Chinese characters.
目的探讨字频、空间频率、笔画数和近视程度对汉字图片辨认正确率的影响。
5)  character frequency
字频
1.
The effects of character frequency, stroke number and radical number on Chinese recognition were studied under different levels of radical brightness.
本文采用命名作业法探讨在不同汉字部件亮度条件下的字频效应、笔画数效应及部件在汉字识别中的作用。
2.
According to computer statistics of Chinese character frequency,this article analyzes the situation of distribution of four categories of character construction in the bone inscriptions of Yin dynasty,the bronze inscriptions of the Western Zhou dynasty,the Chu bamboo slips and silk scripts of the warring states dynasty and the scripts of Qin dynasty.
就整个文字系统的历时演变来说,四书中呈直线变化且变化程度较为显著的是象形和形声,前者历时减量,后者历时增量,最终互换了在总字形数和总字频中的主体位置,其字频统计远低于字形统计的增减幅度,更加真实地显示了文字结构的发展速度。
6)  last Chinese character or English letter in names showing genders
尾字显性
补充资料:尾字三平

又称为“三平脚”。七言律诗的一个句子中,要避免第五、第六、第七三个连在一起的字都用平声,句尾的三字都是平声字,称为“尾字三平”。“尾字三平”是古体诗的写法,近体诗要加以避免。因此,如果按“一、三、五不论”的说法加以灵活运用,第五个字本当用仄声字而用平声字,就有造成“三平脚”的可能,在这种情况下,就不是绝对的“一、三、五不论”了。

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