1) Feminine narrative sound
女性叙事声音
2) male sound of narrative
男性叙事声音
4) narrative voice
叙事声音
1.
This article tries to make a general analysis on the narrative style of his The Killers from the three aspects: narrative pattern,narrative strategies and narrative voice.
文章试从叙事模式、叙事策略和叙事声音三方面分析海明威的短篇名作《杀人者》,论述其独特的叙事艺术。
2.
By reading through the narrative voice in the text, we can c learly read out the feminist s voice in real life, and we can comb Woolf s femin ist thoughts, hence arouse modern women s consciousness to fight for their real equality and their deserved rights.
该文选取了英国女作家弗吉尼亚·伍尔夫的长篇论文《一间自己的房间》 ,试图借美国马里兰州大学比较文学和女性研究中心教授苏珊·S·兰瑟的思路 ,将社会身份的声音和叙述形式的声音联系并结合起来 ,从叙事声音的角度切入 ,分析其背后所反映的现实中女性主义的声音 ,并借此梳理伍尔夫的女性主义思想。
3.
Free Indirect Discourse (FID)functions as an important means in the representation of the character s discourse in fiction narratives, and it is frequently under discussion along with the narrative voice.
自由间接话语是小说叙事中再现人物话语的重要手段,而且常与叙事声音联系起来探讨。
6) feminist narration
女性叙事
1.
This paper analyses the first half of the novel s feminist narration from the two perspectives of sociology and narratology,pointing.
从社会学和叙事学两种视角深入分析上篇的女性叙事,可以看出,中国妇女在现代化进程中所遭遇的解放必须面对传统文化早已内化的压抑和西方化的自我镜像的挑战,还有男性他者的强权。
2.
Its quiet,detached feminist narration of the historical winds in The Republic of China and Chinese intellectuals inner world in the 20th century is so loud that we seem to hear the distant yet dense echoing of the historical tragedy of the separation of a society t.
该作品文字精致、意蕴幽徊、意境诗性,从其美学价值看,堪称华语小说中的精品;而其清幽淡远的女性叙事之间显示出来的20世纪民国历史风云和中国知识分子的精神世界同样撼人心魂,让我们得以倾听两岸分离的社会历史悲剧沉淀于人心的悠远细密的回响。
补充资料:《电影的画面与声音》
中国电影理论著作。陈西禾著。中国电影出版社1982年出版。全书分"人是中心"、"景物的价值"、"让光影和构图说话"、"富有表现力的色彩"、"创造性地运用声音" 5部分,以大量中外影片的实例,阐述了电影中人、景、光影、构图色彩的表现以及声音的运用等电影语言各种元素的特性和功能,分析了它们的相互关系,探讨了如何运用这些元素的艺术技巧问题。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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