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1)  music illusion
音乐幻象
2)  musical hallucination
音乐幻觉
3)  Musical image
音乐形象
1.
The appreciator as an aesthetic subject,expresses the meaning in the course of musical appreciation of beauty by way of the musical image he/she creates after getting involved in the receptive process.
接受者作为审美对象的欣赏者,在音乐审美接受过程中通过参与并构建音乐形象来表达在音乐审美过程中接受的意义。
2.
This thesis deeply discusses the unique technique of musical representation and using of musical language by analyzing the musical image-building of the three female roles Donna Anna, Zerlina and Donna Elvira in Don Giovanni.
本论题从三位女性角色的人物刻画入手,对莫扎特的歌剧《唐·璜》中安娜、采琳娜、埃维拉这三个音乐形象展开分析,从而进一步了解作曲家在塑造人物形象时运用的独特的音乐表现手法和富于特色的音乐语言。
3.
This paper has summarizes briefly the composer\'s life and the creative background of this works , and it has analysed detailedly the creative motivation, overall structure and musical image of this works.
在本文的论述中,简要概括了作曲家的生平与作品的创作背景,并对作品的创作动机、整体结构与音乐形象进行了详细的分析,深入探讨作曲家独特的创作理念及其作品的创新意义。
4)  music image
音乐形象
1.
The music image-building of Mongolian children in the creation of Mongolian children music has its particularity.
在蒙古族儿童音乐创作中塑造蒙古族儿童音乐形象具有特殊性。
2.
The unique charm of Debussy s "Piano Prelude" lies in the composer s skillful application of all means of piano music,developing a new and peculiar music language as well as portraying a series of exceptional music image.
德彪西《钢琴前奏曲》的特殊魅力,在于作曲家纯熟地运用钢琴音乐的一切手段,创造出新颖独特的音乐语言,栩栩如生地刻画了一系列别有情致的音乐形象。
3.
When re\|creating music images in singing, not only the grasp of the skill of music style but also the aesthetic grasp of its images should be paid much attention to.
歌唱艺术对音乐形象的再创造 ,不仅要注意对音乐形式的技术性把握 ,同时也要注意对音乐形象的审美性把握。
5)  music imagination
音乐想象
6)  conceptual image in music
音乐概象
补充资料:幻象
【幻象】
 (杂名)幻化之象也。性灵集八曰:“觉朝无多虎,悟日莫幻象。”
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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