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1)  theory of forms of art
艺术形式论
2)  ontology of artistic form
艺术形式本体论
3)  art forms
艺术形式
1.
By studying the art forms for periodicals format designing, the writer discusses how to understand and grasp the rules of art forms for periodicals formatting.
本文通过对版式设计艺术形式的探讨 ,从多角度、多层面论述了如何理解和把握版式设计艺术形式的规律。
2.
As a conclusion,we consider that Langer s study on art forms achieves a considerable height and strength,but it is a little empty because of its metaphysical character,while Sun deepens,particularizes,reifys and operationalizes the metaphysical concepts and principles which Langer ca.
朗格对艺术形式的研究达到了相当的高度与力度,但也因其形而上特质而流于空疏,而孙绍振恰恰在她无法深入之处,以其罕见的经验归纳与理论抽象能力,将原本形而上的概念与规律予以深化、细化、具体化与可操作化。
3.
The imagery thoughts is the aesthetic source and center of Chinese ancient art forms.
意象思维是中国古典艺术形式的审美根源和中心。
4)  art form
艺术形式
1.
The Aestheticism that sense organs incitement influenced The Chinese Neo-Sensationalism in the philosophy of life,literature view and over-emphasized art formalities.
感官刺激与声色享乐的唯美主义,在人生观、文艺观以及偏重艺术形式上都影响了新感觉派。
2.
The thesis talks about the development and ways of the combination of poem and painting in traditional Chinese painting and enplains the combination is a good art form of traditional Chinese painting, which we should learn and use.
本文通过对传统中国画诗画结合的历史发展过程和诗与画内外部结合的方式等的分析,进一步阐释了诗画合一是传统中国画的优秀形式,这一极富民族性的艺术形式值得我们学习和借鉴。
3.
The concept of art form is an essence question concerning the existence of aesthetics and the study of art.
艺术形式的概念是关系到美学和文艺学存在的本体性问题。
5)  form art
形式艺术
1.
Basic composition elements of form art are introduced as well as its creative skill and features.
介绍了形式艺术构成的基本要素、构成手法及其特点,并结合玛莎。
6)  artistic form
艺术形式
1.
In terms of artistic form,Ibsen s poems also demonstrate traits of ballads such as elements of folk songs,circular sentence structure,stanzaic repetition,and folk humor.
在艺术形式上体现出民间歌谣的特征:歌唱的因素、回环的句式、节与节的反复、民间的机智和幽默风趣。
2.
Their artistic forms are characterized by features of "soul stories" and "polyphony" novels.
在艺术形式上,则呈现出“心灵故事”和“复调”小说的特征。
补充资料:《电影艺术在表现形式上的几个特点》
      中国电影理论著作。史东山著,艺术出版社1954年出版。全书分两部分。第一部分从分析小说、戏剧与电影的区别和共同点入手,阐释了电影艺术在表现形式上的基本特点;第二部分,对电影分镜头的原理提供了一些论据。该书对初写电影剧本者有一定的参考价值。
  

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