A New Research on JiKang s Ontology of Musical Aesthetics;

Discussion on the relationship between the content and the form of music——A comparison of Hanslick and Zofia Lissa s thoughts on musical aesthetics;

Therefore,musical aesthetics is not only a systematic science,but also a basic theory in whole musicology.

Today, Eduard Hanslick s aesthetics of music still has more significance than most Anti Essence Theories.

The main points of Confucius aesthetics of music were rooted in the particularity of music and the musical phenomenon of his time.

Secondly,studying history of Western music aesthetics is to provide a discourse for the talks in music,which means how people of every historical period speak of music,and under what circumstance they discuss music in a way they do.

the diachronic living sound scope experience;the third border is the universal aesthetic experience of human being;the forth border is the effective links between the music aesthetics and the value system of the whole society.

The thesis analyzes the aesthetic characteristics of children chorus from the point of music aesthetics.

“Out of the self-proclaimed”as an important Guodianchujian,the pre-Qin Confucian Yi Ji,have been dealt with the source of music,music of the functions,such as music purposes of the contents did not elaborate,but with the “Yue Kee”When demonstrate both the same,there are differences music aesthetic concepts to look at the Confucian music aesthetic ideas It has a certain significance.

As an important topic of aesthetical research,the formation and style of music have its significant meaning and value in the music aesthetics.