1) Poetic appearance of Song Dynasty
宋诗面貌
2) Song Poems
宋诗
1.
On the Argument between the Organizations of Tang Poems and Song Poems in View of the Poetry Anthology of Song;
从宋诗选本看唐宋诗之争
2.
The Pursuit of Harmony in Song Poems and the Establishment of Models of Tao Yuanming and Du Fu;
宋诗的和谐追求与陶、杜典范的树立
3.
While,his attitude to Song Poems was self-contradictory and misunderstanding sometimes,which was closely related to his.
胡适早期诗论主要包括:提倡"作诗如作文"、强调叙事说理以及相关宋诗作家评论,与宋诗渊源密切。
3) Song poetry
宋诗
1.
Sentiment and Charming Reason——The differences in Tang poetry and Song poetry;
情韵与理趣——论唐宋诗之别
2.
On the Annotation of Song Poetry of Qian Zhongshu;
钱钟书《宋诗选注》研究
4) poems of the Song Dynasty
宋诗
1.
There were 15 extant anthologies of poems of the Song Dynasty compiled in the Ming Dynasty.
明代宋诗选本现可考者约有十五家。
5) Song poem
宋诗
1.
Bai has great attainments in the field of Song poem studies,displaying the width and depth of his broad knowledge.
在宋诗研究方面,白敦仁先生也达到很高的造诣,体现了其广博精微的特点。
6) the Song poetry
宋诗
1.
Mao Zedong s "A Letter to Chen Yi" criticizes the Song poetry at the aesthetic height,for he puts forth a famous proposition that poetry must use the thinking images.
毛泽东《致陈毅》一文,从美学的高度对宋诗作了批评,提出了诗歌须用形象思维的著名命题。
2.
s: There is some coincidence between the Song poetry and the western p oetry , which lay as well great importance upon the rational interests (理趣).
宋诗重理趣这一基本特征与西方诗歌有契合之处。
补充资料：《宋百家诗存》
宋诗总集。清代曹庭栋编选。生卒年不详。曹庭栋字六圃，自号慈山居士，浙江嘉善人。诸生，乾隆中去世。曹庭栋自称忧虑宋人诗集传世者日渐沦灭，并认为吴之振等《宋诗钞》漏略尚多，且刊刻未竟，往往有录无书，因此搜采遗佚，编选此书，为28卷。此书入选者百集,每集一家,已见《宋诗钞》者不收。始于魏野《东观集》，终于僧斯植《采芝集》。北宋有魏野、贺铸等10余家，南宋有吕本中等80余家。存诗10首以下者不收。每集冠以小传，编次悉照原本。所采之集，当时均属僻书，钞本居多，于其讹误有所订正。
曹庭栋少好学工诗，有《产鹤亭诗集》，诗主性情。他认为"诗真岂在分唐宋，语妙何曾露刻雕"（《随园诗话》卷二引）。从这点出发，此书选入了不少有真情实感、艺术性较强的诗篇。其评诗亦往往卓有见地，如谓郭祥正"古体诗沉雄俊伟,如波涛万叠,一涌而至，莫可控御"，句调仿佛李白；谓华岳诗"脱口豪纵，多破胆险句，锤炼处又极冶衍遒丽"，不同于江西诗派和江湖派。书中小传偶有讹误，如卷十称《秋堂遗稿》撰者柴望为南宋高宗时人，实则为南宋末人。
此书有清乾隆六年(1741)原刻本。
曹庭栋少好学工诗，有《产鹤亭诗集》，诗主性情。他认为"诗真岂在分唐宋，语妙何曾露刻雕"（《随园诗话》卷二引）。从这点出发，此书选入了不少有真情实感、艺术性较强的诗篇。其评诗亦往往卓有见地，如谓郭祥正"古体诗沉雄俊伟,如波涛万叠,一涌而至，莫可控御"，句调仿佛李白；谓华岳诗"脱口豪纵，多破胆险句，锤炼处又极冶衍遒丽"，不同于江西诗派和江湖派。书中小传偶有讹误，如卷十称《秋堂遗稿》撰者柴望为南宋高宗时人，实则为南宋末人。
此书有清乾隆六年(1741)原刻本。
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参考词条