New Korean Films" and "Neo-generation" of Chinese Films share the common attributes in cultural orientation and artistic appreciation despite dissimilar presentations, characterized by the ramifying trend among them between marginal writing and conversion to mainstream.

The present condition of Chinese film production can be generalized and analyzed with the phrase "unification of three qualitys",which is Chinese government expressed.

The Chinese film directors born in the 1960s and 1970s climbed onto the movie circles with rebellious postures.

The divergence of the operation in the process of movie industrialization and its development requirements has resulted in the difficulty for Chinese movies to satisfy the market s demands and China s movie industry has long remained at a low ebb.

With challenges of Hollywood globalization,the national aesthetics of Chinese movies should not be diluted;on the contrary,it needs more attention.

The significance of the film to the Chinese films not only lies in its overtime sense but also because of the exploration of the possibility or even the limitlessness of the first person narration.

During the 1930s,American films took an important place in the market of Chinese films.