1) Cezanne and Dong Qichang
塞尚和董其昌
1.
We have tried to avoid merely talking in generalities about Cezanne and Dong Qichang, both their lives and works, but wished to initiate a deep analysis into the origins, differences and similarity of their arts.
本文从中西艺术比较的视角切入,力图避开对塞尚和董其昌生平和创作的泛泛之谈,在历史情境中深入剖析二者艺术之缘由、区别与共性,同中求异,异中求同,借此找出艺术创作的一些可循之规,为当代艺术创新拓展思路。
2) Dong Qichang
董其昌
1.
An Inquiry into Dong Qichang s Theory of the Southern and Northern Schools from the Perspectives of Huadao and Huapin;
从画道、画品的角度看董其昌的南北宗论
2.
An Appreciative Evaluation of the Calligraphy and Paintings of Dong Qichang Based on His Prefaces and Colophons;
从董其昌的题跋看他的书画鉴定
3.
Simple Analysis of Dong Qichang s Theory of Southern and Northern School of Painting;
浅析董其昌的“南北宗论”
3) DONG Qi chang
董其昌
1.
DONG Qi chang was a famous painter and theoretician in the Ming Dynasty.
董其昌是明代著名画家、理论家 ,他提出了山水画中南北宗之说。
4) Tung Ch`i-ch`ang school
董其昌派
5) the study of Tung Chi-chang
董其昌研究
6) Dong Qichang Junlumahu Ji Juan
董其昌《濬路马湖记》卷
补充资料：董其昌《濬路马湖记》卷
中国明代书画家董其昌晚年行书碑记的代表作之一。董其昌 (1555～1636)字玄宰，号思白，江苏华亭(今上海)人。万历十七年 (1589) 进士，官至南京礼部尚书。此卷为纸本，行书，纵29.3厘米，横 607.6厘米。此记全称为《淮安府濬路马湖记》，署名"董其昌撰并书"。又题明该碑记为嘉议大夫、兵部左侍郎魏应嘉篆额，钦差提督南河工部都水清吏司郎中徐标建。此碑是董其昌仿唐李邕以行书写碑的作品，布字疏宕秀朗，笔法精劲而古拙，表现出其对书法朴而秀、拙而自然的艺术追求。卷后有清沈荃题跋一则，曾经清王鸿绪、安岐、张若霭等鉴藏，乾隆年间入藏内府。《墨缘汇观》、《石渠宝笈·初编》著录。现藏故宫博物院。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条