1) Imagery in Chinese paintings
笔墨心象
3) Xiang and Bimo
"象"与"笔墨"
4) Brush and ink
笔墨
1.
His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.
董其昌作为中国古代文人画的代表,在绘画实践上以推重笔墨形式之美而独树一帜,其“古雅娟秀、气韵超然”的艺术风格,影响了明末及以后的中国绘画朝笔墨形式发展。
2.
Therefore, its "formulism" of brush and ink has been established.
中国山水画历史悠久 ,山水画笔墨技法从产生到成熟 ,建构了独特的绘画符号。
5) ink
[英][ɪŋk] [美][ɪŋk]
笔墨
1.
Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;
以郑燮竹论观艺术创作中的笔墨思维
2.
First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.
现代的创作者应该在传统的基础上,勇于创新:一是以画为主,画写结合,略带泼墨;二是以笔画为依托,升华写意精神;三是在生活中吸收营养,激发灵感;四是笔墨形式与时俱进。
3.
When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.
创作者,尤其是初学者在进行山水画创作时,在笔墨的运用、构图与色彩的处理、精神的把握、题款的运用等方面会出现的如用笔平均、用墨板滞、构图布置迫塞等等弊病,如何运用相应的对策克服这些病忌,是每一位创造者都无法避之的问题。
6) writings
[英]['raɪtɪŋ] [美]['raɪtɪŋ]
笔墨
1.
This article introduces Xugu’s life, studies and discusses his writings (mainly about line),molding, composition and color etc, though his painting theme, flowers and birds painting content, artistic conception.
文章主要从论述海派画家虚谷的生平开始,通过分析绘画题材、内容、意境,深入探讨其笔墨(这里主要指线条)、造型、构图和色彩等绘画本体,从而总结其花鸟画风格。
2.
This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.
在此重点讨论气韵生动与文人画之逸格及文人画笔墨间的关系。
补充资料：心象
1.心事。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条