1)  Words on art
画语录
1.
Based on the other's studies of ShiTao's Words on art(《画语录》), this thesis discusses the relationship of ShiTao's theory of paint with Chinese traditional culture, and its value and meaning for nowadays.
本文在他人研究石涛《画语录》的基础上，主要从文化观照的层面来探讨、阐发和思考石涛画论与中国传统文化的关系以及它在今天的价值和意义。
2)  Hua-Yulu
《画语录》
1.
A Study on the Aesthetic Theory of Shitao s Hua-Yulu;
石涛《画语录》美学思想研究
3)  the Record of Kugua Monk Drawing Language
苦瓜和尚画语录
1.
The author has adopted the method of combining documents with drawings to research the Record of Kugua Monk Drawing Language to get a profound understanding about Shi Tao s aesthetic idea, in detail his Yi Hua theory.
本文采用了文献和图画相结合的方法，通过研究《苦瓜和尚画语录》深刻理解石涛的美学思想，特别是领会石涛关于“一画”的真谛。
4)  Language of sound and picture
声画语言
5)  Print language
版画语言
1.
To meet the challenge of the era, printing art should combine cultural implication and print language, and follow a road characteristic of Chinese art.
为迎接时代的挑战 ,版画艺术应坚持文化底蕴与版画语言相统一的原则 ,走有中国特色的艺术之路。
6)  painting language
绘画语言
1.
The fusion of painting language has fostered and formed the special quality and aesthetics of Chinese watercolor,thus promoting the maturity and evolution of it.
绘画语言的融合是有边界的,只有在不失去水彩画自身特质条件下的融合和借鉴才是真正有意义的。
2.
We must give time in understanding and assimilating the transfer from sketch to traditional Chinese painting that we can find a better way for painting language in promoting the comprehension of traditional painting.
在开放的借鉴发展中找到一条融合之路,这样才能找到一套较为完整的绘画语言,促进对传统绘画语言的了解,有利于对传统绘画的学习与传承。
3.
A piece of works contains pattern; concept and painting language; and so we should have receptivity;imagination and creativity.
一幅作品包含图式、观念和绘画语言三个方面,因此在进行创作的过程中要具备感受力、想象力和创造力。
参考词条
补充资料：《苦瓜和尚画语录》
《苦瓜和尚画语录》

    中国清代绘画理论著作。石涛著。该书另一版本名《画谱》。全书18章，先讲原理，次述运腕，最终引出理论主张，构成完整有机的山水画理论体系。在这一体系中，作者把画理画法的认识提高到宇宙观的高度，穷其原委变化，具有较强的理论性与系统性，有充分的逻辑力量。此书反对拟古  ，主张“借古以开今”，“笔墨当随时代”，“搜尽奇峰打草稿”，重视发挥画家个性并实现创作自由，对中国18世纪  ，特别是20世纪以后的山水画甚至整个中国画发生了重大影响。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。