1) extended narration
叙事扩张
1.
From the role in classic drama “Mudan Ting”,we can find the obvious narrative charaters expressed in the drama such as Chen Zuiliang,and the speeches of the writers,such as “Chun”,and the typical extended narration,then we can imagine the narrative outline of “Mudan Ting” and the principle narrative characteristics of Chinese dramas.
通过叙述语法这一角度梳理中国古典名剧《牡丹亭》,可以找出剧本在陈最良角色上表现出的显在叙事特征 ,发现“春”等作者的话语 ,以及典故的叙事扩张现象 ,从而勾勒出《牡丹亭》的叙事轮廓和中国戏剧叙事的基本特
2) narrative of tension
张力叙事
1.
However,this narrative of tension made the natural and rich humanity stand out from the text,and it rewrote the traditional narrat.
然而,这种张力叙事不仅使自然丰富的人性得以从文本中浮现出来,也从文学史的角度重写了乡土小说的传统叙事机制。
3) narrative tension
叙事张力
1.
There are three important narrative tensions in Othello, which are constituted respectively by three binary oppositions:Othello and the Venetian,Desdemona and the patriarchal society, Bianca and the center of a mother country s narration.
在莎翁名剧《奥瑟罗》中 ,奥瑟罗和威尼斯人、苔斯狄蒙娜和父权社会、比恩卡和宗主国叙事中心这三组二元对立构成了三股叙事张力。
2.
In the light of this, narrative tension and its movement exists in most parts of Ai Wei\'s novels, such as the content, the way of narrative, even the whole style.
从这个意义上说,艾伟小说无论是在叙事内涵上,还是叙事技巧和整体风格上都存在着张力及其运动的因素,本文也旨在以张力理论为基础,探寻其小说叙事张力的实现及其丰富性。
5) Something spread out; an expanse.
扩展之事物;扩张
6) The Tactful Narration of Zhang Ailing
张爱玲的叙事策略
补充资料：极大扩张和极小扩张
极大扩张和极小扩张
maximal and minimal extensions
极大扩张和极小扩张匡.习的司出目.公油抽lex妇心.旧;MaKcl.Ma刀‘.oe H Mll.”M田.妇oe PaC山一Pe皿朋] 一个对称算子(s笋nr贺苗c opemtor)A的极大扩张和极小扩张分别是算子牙(A的闭包，(见闭算子(cfo“月。详mtor”)和A’(A的伴随，见伴随算子(呐。int opera.tor)).A的所有闭对称扩张都出现在它们之间.极大扩张和极小扩张相等等价于A的自伴性(见自伴算子(义休.adjoint operator))，并且是自伴扩张唯一性的必要和充分条件.A.H.J’Ior朋oB，B.c.lll户、MaR撰
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条