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1)  representation of musical performance
乐奏形态
2)  rhythm patterns
节奏形态
3)  music form
音乐形态
1.
The author analyzes both the similarities and differences from the music form,and tries to discover the inherent relationship between laoqiang and shiqiang.
笔者从音乐形态方面入手来分析两者的异同,试图从中发掘出两者的内在关系。
2.
According to its past and status quo, being a kind of cultural phenomenon, the studying subject can be placed into the fixed cultural background to discuss its style, historical evolution, and characteristics of music form.
一、鄂尔多斯传统宴歌作为一种文化现象,根据其过去和现状,把它放置在文化的背景中去探讨这种音乐事象的风格特点、历史演变、音乐形态特征。
4)  music morphology
音乐形态
1.
With the research means of music morphology, the paper makes comparison, analysis and expounding of various music forms of erfan,the main tune of luantan tones in Wuju opera.
本文运用音乐形态学的研究方法,对浙江婺剧乱弹声腔主干唱调——“二凡”的多种音乐形态进行了对比、分析与论述,发觉“二凡”唱段的上下句结构归根结底是由一单乐句(上句)结构发展、变化而来的。
5)  music forms
音乐形态
1.
The possibility of the application of hermeneutics in music psychology research is clarified through defining basic music context structure in terms of music psychology phenomenon,such as music emotion,music forms and music ideas,as well as the analysis is on interpretation restore(li.
本文以“音乐作为人类一种有目的的活动”为基本前提,通过确立“音乐情感”、“音乐形态”以及“音乐意念”为音乐心理现象的基本语境结构,以对人类音乐活动中“解释学复原”(聆听、体验和感悟)和“解释学创意”(创意、表演、创作和反思)的剖析,来阐明解释学应用于音乐心理研究的可能性。
6)  musical modality
音乐形态
1.
It has the unique characteristic in musical modality and is worth studying.
这一剧种虽源于“徽调,”但在长期的演出实践中受泰宁地方方言和山歌、小调、道士音乐的影响,其音乐形态独具特色。
补充资料:乐奏
1.犹奏乐。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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