2) central perspective projection
中点透视
3) two point perspective
二点透视
4) two-point perspective
两点透视
5) cavalier perspective
散点透视
1.
One of the major reasons for this lies in the narrative strategy employed by the novelist,namely a combination of the socio-culturalization of sex with the cavalier perspective in the description of sex,rendering it a naturally integrated part of the holistic narrative framework of the novel.
《白鹿原》中的性描写在小说发表之初曾引起争议,但还是得到了读者和主流意识形态的一致认可,其中一个重要的原因就在于小说的性叙事策略,即将性"社会文化化",并采用"散点透视"的手法将性描写与故事的整体叙述有机融合。
2.
The cavalier perspective is thought to be the synonym of perspective in the traditional Chinese painting.
“散点透视”是中国画透视现象的代名词。
3.
Accomplishments of engineering drawing in ancient China,either the enunciation of perspective by Zong Bin of the 4th-Sth century, or the systematic conclusion by Guo Xi and Shen Kuo of the 11th-12th century,reflects the historical progress from focus perspective to cavalier perspective,which contributed to the field of e.
在中国古代文献中可看到的投影理论中,有如我们现在称之为的中心投影法、平行投影法和斜投影法相似的内容：无论是公元4世纪-5世纪宗炳有关透视论述,还是公元11世纪-12世纪郭熙与沈括的理论总结,不仅奠定了中国古代图学的理论基础,也反映了中国图学理论从焦点透视走向散点透视的发展历程,这是中国图学对世界图学的贡献。
6) focus perspective
焦点透视
1.
In terms of perspective,they have the unique treatment,which follow certain basic rules and regulations,at the same time are not formalistic,namely,the painters are in a position to break through visual realms of focus perspective and draw at will so as to make the paintings more vivid and global.
就是说画家可以根据自己的创作意图,打破焦点透视的视域范围去摄取景物,使画面所表现的内容更全面、更生动,这就是中国画散点透视法。
2.
The author considers that the cavalier perspective,which is put forth under the influence of Western focus perspective,is a conception extended from Western perspective.
它在“焦点透视”的影响下提出 ,以“焦点透视”为参照系 ,它既不符合中国传统的观察方法与中国画的实际 ,同时也无法摆脱“焦点透视”给中国画带来的困惑。
3.
Accomplishments of engineering drawing in ancient China,either the enunciation of perspective by Zong Bin of the 4th-Sth century, or the systematic conclusion by Guo Xi and Shen Kuo of the 11th-12th century,reflects the historical progress from focus perspective to cavalier perspective,which contributed to the field of e.
在中国古代文献中可看到的投影理论中,有如我们现在称之为的中心投影法、平行投影法和斜投影法相似的内容：无论是公元4世纪-5世纪宗炳有关透视论述,还是公元11世纪-12世纪郭熙与沈括的理论总结,不仅奠定了中国古代图学的理论基础,也反映了中国图学理论从焦点透视走向散点透视的发展历程,这是中国图学对世界图学的贡献。
补充资料：难点
1.问题难以解决之处。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条