1) ontology of artistic works
艺术作品本体论
1.
By criticizing the subjective aesthetics,Gadamer proposes the ontology of artistic works.
在批判主体论美学的基础上 ,伽达默尔提出了艺术作品本体论。
2) art ontology
艺术本体论
1.
Ecological aesthetics regards the modern s existences and aesthetical activities as its major study object,and meanwhile should embrace "nature" as an important thinking dimension into studies on existential noumena art ontology.
“生态存在论美学”作为国内生态美学研究的前沿,在研究对象、研究方法、研究内容等方面都有待进一步明确和深化:生态美学以现代人的存在状态与审美活动作为主要研究对象的同时,又要把“自然”作为一个重要思考维度纳入存在本体与艺术本体论的研究中;生态美学以现象学哲学作为主要方法论来源,在吸收借鉴多种理论资源时必须经过谨慎地辨析和转化;生态美学的研究内容主要包括对国外生态文化理论的系统译介、存在本体论与艺术本体论研究、关于自然信仰理论的研究,以及对生态批评理论的探讨和具体实践。
2.
Huserl s phenomenology, which mainly consists of art ontology, art cognitivism, and aesthetic value theory.
英伽登的现象学美学是建构在胡塞尔现象学的意向性理论的基础上 ,主要是由艺术本体论、艺术认识论和审美价值论组成。
3) artistic ontology
艺术本体论
1.
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" bridges his artistic ontology and hermeneutical ontology on a universal level.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论,是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
4) the textual ontology
作品本体论
1.
Spurning the traditional literary criticisms such as the historical criticism and the biographical criticism,the New Criticism advocates the textual ontology and turns to a text to figure out its intrinsic meanings with the help of theories of semantics.
新批评主张作品本体论,摒弃传统的历史和传记批评方法,转向文本内部寻找意义,用语义学理论来挖掘其中的意蕴。
5) The Origin of the Work of Art
艺术作品的本源
1.
The Origin of the Work of Art (hereinafter referred to as Origin )which talks about art is the medium-term masterpiece of Heidegger\'s works.
《艺术作品的本源》(以下简称《本源》)是海德格尔中期谈论艺术问题的代表作。
6) On the Artistry of Jia Yi s Works
贾谊作品艺术论
补充资料：《保护文学艺术作品伯尔尼公约》
见《伯尔尼公约》。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条