1) focus thinking
焦点视思维
2) dispersal thinking
散点视思维
3) the focus point of view
焦视点
1.
This article tries to analyze the similarities and differences in different cultures respectively from the focus point of view or free point of view,centripetal form or centrifugal form,the depth and mold of the characters.
本文拟从焦视点还是散视点,流水样的向心性和立体建构的离心性,及中西文化的不同对人物定型及深度等方面来分析其相异,并从“视点”的角度分析其相同,以揭示作品的现象,还原作品的本质。
4) focus perspective
焦点透视
1.
In terms of perspective,they have the unique treatment,which follow certain basic rules and regulations,at the same time are not formalistic,namely,the painters are in a position to break through visual realms of focus perspective and draw at will so as to make the paintings more vivid and global.
就是说画家可以根据自己的创作意图,打破焦点透视的视域范围去摄取景物,使画面所表现的内容更全面、更生动,这就是中国画散点透视法。
2.
The author considers that the cavalier perspective,which is put forth under the influence of Western focus perspective,is a conception extended from Western perspective.
它在“焦点透视”的影响下提出 ,以“焦点透视”为参照系 ,它既不符合中国传统的观察方法与中国画的实际 ,同时也无法摆脱“焦点透视”给中国画带来的困惑。
3.
Accomplishments of engineering drawing in ancient China,either the enunciation of perspective by Zong Bin of the 4th-Sth century, or the systematic conclusion by Guo Xi and Shen Kuo of the 11th-12th century,reflects the historical progress from focus perspective to cavalier perspective,which contributed to the field of e.
在中国古代文献中可看到的投影理论中,有如我们现在称之为的中心投影法、平行投影法和斜投影法相似的内容：无论是公元4世纪-5世纪宗炳有关透视论述,还是公元11世纪-12世纪郭熙与沈括的理论总结,不仅奠定了中国古代图学的理论基础,也反映了中国图学理论从焦点透视走向散点透视的发展历程,这是中国图学对世界图学的贡献。
5) Focal perspective
焦点透视
1.
The focal perspective is a science that studies the law that the object is big when near and small when far.
焦点透视是研究物体近大远小规律的科学。
6) visual focus
视焦点
补充资料：X线管的焦点
X线管的焦点
放射学术语。X线管内X线的发源点，即X线管阳极，接受电子撞击并产生X线的部位。X线管阳极的焦点并非为一个无限小的点，而是具有一定几何学的面积，故又称焦点面。由于X线管阳极靶面实际接受电子撞击的面积与其参与X线几何投影的有效面积不同，故焦点有实际焦点
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条