Finally it points out that, considering the context of the May Fourth vernacular Chinese literature, Lin Shus translation is in essence a product of the dual modern conflicts in literary discourses: one is the conflict between Chinese characters and foreign language and another between classical and vernacular.

The evolvement of Mao’s opinions on Lu Xun embodies the internal contradiction of revolutionary modernity,whose engendering process involves the paradox between individual volition and historical logic and whose resolution will release the power of May 4th culture and Mao Zedong thought in modern society.