1) Tanci created by women in the Ming and the Qing Dynasties
明清女性弹词
2) The Qing Dynasty's Female Tanci
清代女性弹词
3) women Tanci
女性弹词
1.
Until now, the scholarly circles have made some research on its collation, origin and development, women Tanci as well as its artistic characteristics.
弹词得到学界重视始于上世纪二三十年代,直至今日,学界在编目整理、弹词起源与发展、女性弹词及弹词的艺术特点等方面都做了一些研究。
4) Women's Tanci fictions in Qing dynasty
清代女性弹词小说
5) Tan Ci novel written by women
女性弹词小说
1.
Anything′s arising has it′s special background,not but for Tan Ci novel written by women.
任何事物的产生都有它特殊的背景,女性弹词小说亦不例外。
6) The Female Style and the Consciousness of Female Ideology
弹词与女性文学
补充资料:弹词
弹词 中国明清两代流行的曲种。有人认为源于宋代的陶真和元明两代的词话,待考。弹词在嘉靖、万历时已在南北各地演唱,戏曲家梁辰鱼有《江东二十一史弹词》。但明人对弹词与词话并没有厘定明确的界限,词话乃元明之旧称,凡说唱话本通谓之词话,如杨慎之《历代史略十段锦词话》,即通行本《二十一史弹词》。弹词用琵琶伴奏。至清代乾隆时期,弹词主要流行于江浙一带,它吸收了吴歌曲调,柔语如珠,缠绵委婉,最宜借弦索慢捻浅唱,故苏州弹词、四明南词等一直流传至今。 |
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条