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1)  structure of creative subject
创作主体结构
1.
The root of the poet s greatest conflict and transcendence lies in his unique structure of creative subject with "superb composition" and "delicate arrangement" of a common structure with three different qualities, namely, artistic levels as the main body, personality as the sign and reason as the subconscious.
造成这种现象的根源是朱湘创作主体结构的“这个构成”与“别致配置” ,即以艺术层次为主流 ,以个性层次为标志 ,以理性层次为潜在 ,三者异质共构 ,具体表现为深厚的爱国情思与“文学救国”热情、固执的理想主义与乌托邦话语、“我本楚狂人”与“狂夫意识”、精心建构诗的象牙之塔与超越现实、唯美的趣味与“清丽柔婉”的新月风等方
2)  structure of innovation subject
创新主体结构
1.
The structure of innovation subject is the essential factors and their relations of innovation subject in activities.
创新主体结构是由创新主体活动的要素及其关系构成。
3)  The Structure of Innovation Subjedt
论创新主体结构
4)  creation subject
创作主体
1.
The self-consciousness of literary creation after his relegation made Liu Zongyuan carry out a deep review on literature theory,and he believed that the creation subject should meet three main requirements: first,acting in the text with faith;second,reading books by various schools to communicate;the third is expressing the sense of indignation in the poem.
贬谪以后文学创作的自觉使柳宗元对文学创作的理论进行了深刻的检讨,他认为创作主体应该做到三个方面的要求:一是文以行为本,在先诚其中。
5)  creator [英][kri'eɪtə(r)]  [美][krɪ'etɚ]
创作主体
1.
Net literature creator s "self-social integration",includes three ingredients:social perception,social communication and social adaptation.
网络文学创作主体"自我与社会的统合,"由社会知觉、社会交往和社会适应三大维度构成。
2.
The article reveals the connotation from three side: creator,creating process,creation.
本文从创作主体之真趣、创作过程之灵趣、创作客体之逸趣三方面揭示张问陶“趣”的内涵。
3.
KANG Hai and WANG Jiu si are the representatives of the creators in the early stage.
其创作特色集中表现为创作主体强烈的情绪性及其现实的批判精
6)  creation main body
创作主体
1.
As one kind of spiritual creation process,literature and art congealed and have displayed humanity s survival scheme,and have their creation main body.
作为凝结和表现人类生存图式的一种精神创造过程的文学艺术,是有着其创作主体的。
2.
This article,from mature creation main body,literary style divergence,performance content and manifestation obtains,revealed soul prose s historical status in literary history.
从性灵散文创作主体的成熟、文体的分流、表现内容及表现形式等方面入手,揭示了性灵散文在文学史上的历史地位。
补充资料:灌装机的主体结构及工作原理
灌装机的主体结构及工作原理
 
文章编辑:moji
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