1) history of the Sanqu
散曲史
1.
A review of the 20th century research on the history of the Sanqu;
20世纪中国散曲史研究与撰著评述
2) Qu history of Female
女性散曲史
3) Studies on the History of Non-dramatic Songs in the Ming Dynasty
明散曲史研究
4) Sanqu
散曲
1.
"Qingming Shanghe Picture" in the Mid Ming Dynasty An Analysis of CHEN Duo s Sanqu Collections of Funny-Odd Rhyme and Fall Blue Porch Manuscript;
明代中叶的“清明上河图”——陈铎《滑稽余韵》、《秋碧轩稿》散曲集探析
2.
The Sanqu Creation of Song s Family in Songjiang in the Ming,Qing Dynasties and Its Significance in Literary History;
明清之际松江宋氏家族的散曲创作及文学史意义
5) Non-Dramatic Songs
散曲
1.
A Review of Document Sorting and Research on Non-Dramatic Songs;
试论散曲文献整理与散曲文学研究
2.
On the Subversion of Non-dramatic Songs to the Tradition of the Ancient Poetry;
论散曲对古典诗歌传统的颠覆
3.
On the Small Ream and Driving Song in Yuan Non-Dramatic Songs;
谈元散曲中的小令及带过曲
6) non-dramatic song
散曲
1.
In his non-dramatic song,we are easy to find out his life by beginning concerned about one s country and one s people,with concerned about one s country and one s people by .
在他的散曲中,我们不难看出他的一生以忧国忧民开始,也以忧国忧民而终。
2.
Guan Yunshi is an ethnic writer of Yuan Dynasty who enjoyed high prestige for his works of non-dramatic songs.
贯云石为元代散曲创作成就突出的少数民族作家,在延佑、至治的曲坛上是领时代风骚的“曲状元”。
3.
Due to the different extremities of the traditional poetry taken by the scholars in Yuan Dynasty, the different expectations of the receptors, the different emotions, consciousnesses and value-orientations of the creative subjects, poetry and non-dramatic songs show different aesthetic ten.
元代文人对传统诗学继承的两种极端趋向,接受者不同的“期望阈”造成的诗、曲创作精神的悖反,创作主体情感意识和价值取向的差异形成的诗、曲迥异的审美倾向,使得元代诗歌表现出前所未有的雍容典雅、尊经循道、情在理中、合法合度;而元代散曲则冲破了传统诗学的藩篱表现出惊世骇俗的浪子才
补充资料：梦符散曲
散曲集。元代乔吉(字梦符)作。三卷。包括《惺惺道人乐府》、《文湖州集词》、《摭遗》三种。收录小令二百十二首(内重复者十七首)，套数十套。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条