1) non-tragic character
非悲剧人物
2) tragic character
悲剧人物
1.
As a tragic object in aesthetics, its attitude that tragic characters face the life misery and unhappiness and even the edge of death will be valued aesthetically .
作为审美观照的对象 ,要对悲剧人物面对人生的苦难和不幸 ,甚至生命毁灭时的态度进行审美评价。
2.
This essay has tried to analyze the notions of tragic characters since Aristotle.
本文试图简别自亚理斯多德以来的悲剧人物观。
3) tragic characters
悲剧人物
1.
Tragic conflicts appear not only in tragic characters, but between justice and evil.
中国悲剧具有与西方悲剧不同的独特的审美特征,中国悲剧的悲剧人物不但是历史正义的化身,而且在道德上是比较完美的。
2.
The main differences between Chinese and western tragedies lie in choosing tragic characters and conflicts.
中西悲剧最根本的不同就是选择悲剧人物和悲剧冲突的不同。
4) tragical nonentity
悲剧小人物
1.
At first,he was a tragical hero opposing the tyrant an d a venging,then he became a helpless tragical nonentity;he had been a gifted stra tegist for several years in the brief break-up period of the government order of feudalism autocracy;thereby,the p aper proves the wide and deep tragical me aning of the History Records and probes in.
《史记》中的张良形象具有“战略家中的优美”的美学特征,而这一形象在张良整个生命历程中则具有短暂性——此前,他是一个抗暴复仇的悲剧英雄,此后,他是一个无可奈何的悲剧小人物,他作为一个才华横溢的战略家出现只是封建专制的统治秩序短暂崩溃时期的短短几年时间。
5) Tragedy of a nobody
小人物悲剧
6) On the Figure of Tragedy
论悲剧人物
补充资料：非想非非想处天
1.佛教语。即三界中无色界第四天。此天没有欲望与物质﹐仅有微妙的思想。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条