It can be generalized as the sentiment of brush and ink and obtaining soul through shape.

Traditional brush-and-ink is a kind of techniques, and it carries the traditional Chinese aestheticism of mood-dominance and harmonious relationship between nature and man.

His classic elegance and detached character pushes Chinese painting in the late Ming Dynasty to "brush and ink" and ever after.

Therefore, its "formulism" of brush and ink has been established.

Ink Thinking of Artistic Creation from Theory of Zheng Xie s Drawing Bamboo;

First,the main painting,write with painting,slightly Pomo;second,relying on stroke,sublimation of the spirit itself;third,in the nourishment of life,inspire;fourth,it is advancing with the times ink form.

When creating landscape painting, painters, especially beginners, always have some problems in drawing equally, using the ink stiffly, arranging the composition of the picture narrowly, etc.

This article introduces Xugu’s life, studies and discusses his writings (mainly about line),molding, composition and color etc, though his painting theme, flowers and birds painting content, artistic conception.

This paper mainly discusses the relationship between lively spirit and charm and easy case of scholars paintings as well as writings of scholars paintings.