Under their efforts, native American novels finally shook off the yoke of English novels, created its own features, in both themes and styles, and reached the summit of aesthetics of fictions in 20th cent.

The description of mythology,rites,symbols and other local customs in native anthropology novels represented by Zouhun and Yanhuang,expresses the exploration of the root of Chinese civilization and the rebellion against modernity.

This article probes into three aspects of "blackness" in indigenized American fiction: black culture, black characters of American fiction and the fiction of the Blacks.

The difference between Shen Congwen and Fei Ming in the creation of local novels;

The 1920 - 30 Chinese local literature presented by the local novels of Lu Xun embodied their deviation from and rebellion against the feudal traditional culture after authors of the time had awakened, was permeated with sorrow and agony in "losing paradise" and sweetness and hope in "finding paradise again", and contained unique values in culture and cognition.

The creation of local novels in the twenties is extremely prosperous.

Metropolis Rural Novel or Metropolis Custom Novel?——A Challenge to a concept in Illustrated History of Modern Chinese Popular Literature;

One of the prominent phenomenon of Chinese literature in 1920s is the flourish of rural novels,which charactered themselves with melancholy, grief and dreariness.

BaiLuYuan is the most important part of rural novels in the new period which probes into rural culture and people.

The realistic spirit is the soul of country novel creation.

Chen Ying-zhen s country novels focus on common people and deeply care about their survival situation and circumstance.

In modern country novels,the writings of Xiang Bengui and He Shen are different in stylistic features.